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Next Sunday, the young concert pianist Leonardo Colafelice for Agimus in Mola di Bari Barletta

Sunday, March 13th at 20:00 at the Angevin Castle of Mola di Bari, concert will be the young pianist Leonardo COLAFELICE (pictured), winner of the last edition of the TIM (International Tournament of Music) as well as over 40 prizes in national competitions of the best known category. The program includes music by Nielsen, Chopin, Schumann, Liszt, Prokofiev, Stravinsky. The concert is organized in collaboration with the Region of Puglia (abs. Mediterranean and Culture), Province of Bari (abs. of Culture) and the City of Mola di Bari (abs. of Culture). Admission: € 8.00 (Normal) € 5.00 (reduced over 65), € 2.00 (reduced under 26); Infotel. 368.56.84.12 / email: agimus@alice.it / website: www.agimuspadovano.com/

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Here: Duo with the crust - Head kicks off the 2011 season next Sunday at the association

Sunday, March 13, at 19.00 (18.30 door), there will be first concert of the Twelfth Season Art Association art - cultural Athenaeum of Barletta. The event will be featuring a Duo already present in the past with great success: the one composed by Alessandro Campania Crust (flute) and Nadia Testa (piano), which this time will play an enjoyable program that will be featured famous opera arias and themes, through entertainment and fantasy for flute and piano. The altri quattordici concerti vedranno un'offerta artistica come sempre varia e interessante: nomi prestigiosi del panorama internazionale (la grande pianista uruguayana Raquel Boldorini, il Trio Giocoso, il duo soprano - pianoforte rumeno Achilov - Kalmuski), accanto a giovani locali promettenti e ai migliori artisti riconfermati a grande richiesta del pubblico, tutti con programmi di grande interesse e bellezza. Tre le cantanti: oltre alla rumena Achilov, con un interessantissimo programma molto vario che va dal settecentesco Giordani fino ad Enescu, la mezzosoprano molfettese Antonella Piscitelli (nella foto), accompagnata al pianoforte da Maria Musti, in un programma il cui punto forte è la presenza di preziosi brani di compositori pugliesi come Paisiello and Giuliani, and the soprano Roman Gabriella De Nardo, a wonderful recital with Mozart's piano Francesca Musti. Two pianists will perform programs of the highest caliber of great depth and variety: Raquel Boldorini with two wonderful sonatas by Haydn and Beethoven (the famous "Moonlight"), the enchanting The Book of Images by Claude Debussy and the contemporary American Variations Aaron Copland; Luca Donati with its eclectic range of ability among the masterpieces of classical music and other genres such as jazz standards and sound, reinterpreting with his ingenious reworking. For chamber music, will be given space to a trio (violin, cello, piano) of young Puglia: Francesco Illuzzi, Alessandra and Raffaele Fuccillo Cefaliello, with two pages of fresh and pleasant classical music, the Trio op. 1 No 3 in C minor, one of the first works of a young Beethoven, and the brilliant and noble Trio No.2 in C minor Op.66 F. Mendelssohn. Two formations of duo piano: the duo Musti, with a program entitled "Liszt and friends" (the great romantic composer marks the birth duecentenario) dedicated to the great Hungarian virtuoso and his friends, and the duo of Giuseppe Di Nucci and Manlio Pinto, in "On Joue A peu a peu on Danse." The Playful Way, formation of high level international successful combination of Swiss clarinetist Elisabeth Ganter, the bassoonist Romanian Pavel Ionescu and Italian pianist Emilio Aversano, will perform a beautiful and unusual program incorporating the Trio in C Op.43 Kreutzer, Trio Pathetique by Russian Mikhail Glinka, the Konzertstück N. 1 op. 113 by Felix Mendelssohn and Trio op.38 by Ludwig van Beethoven. The duo Michele Liguria Menardi Noguera, flute, and Lori Orlando, piano, proposing instead a delicate and fresh program titled "Frescoes pastoral." Joseph Doronzo, saxophonist Barletta, and Luca Donati will return after the great success of last year with another stunning concert includes sonatas by contemporary authors for different types of saxophones. The concerts will take place all in the Athenaeum Hall, in Via Madonna degli Angeli 29, for information and reservations please contact at 0883348748 or visit: http://www.associazioneathenaeum.it/. The subscription costs 50 € for 15 concerts, single ticket: 10 €.

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Athenaeum House Giannini driving listening to Wagner "Wesendonck Lieder" by Adele Boghetich

Thursday, March 10 will be held in Casa Giannino (Via Sparano, 172 - BARI - Admission Free / 18.30 / Infotel 080.524.68.64) The fifth and final meeting of the series "Music , Eros and Thanatos ", organized in collaboration with the ACIT (Associazione Culturale Italo-German) and organized by Adele Boghetich musicologist. In the program of guided listening Wesendonck Lieder by Richard Wagner composed by the famous German musician in the quiet Asylum Zurich, between the years 1857/1858, on texts of his beloved Mathilde von Wesendonck: five beautiful love song, which already announced the harmonies and Leitmotive of his masterpiece "Tristan und Isolde."

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Here Torino: Gabriele Ferro conducts the OSN Rai in a concert of all concerts of Ravel

"Asia, Asia, Asia, ancient country of wonderful fairy tales, where imagination sleeps like an empress, in the whole forest full of mystery" are the words of Scheherazade , the Persian princess protagonist of the Thousand and One Nights and the homonymous composition by Maurice Ravel. And it is entirely devoted to Ravel Orchestra Sinfonica Nazionale Rai - back from the success of the tour in the United Arab Emirates - scheduled for Thursday, March 10, 2011 at 20:30 Auditorium Rai "Arturo Toscanini" in Turin, broadcast live on Radio 3 and streamed live on the site www.osn.rai. com. Gabriele Ferro on the podium (pictured), former Principal Conductor of the Teatro Massimo of Palermo, San Carlo di Napoli, Generalmusikdirektor the Staatstheater Stuttgart and interpreter of success with the most prestigious orchestras in the world, from the Leipzig Gewandhaus Orchestra and the BBC Radio France. The program "Alborada del gracioso, originally one of the sparkling gems of sound piano Miroirs, then orchestrated by Ravel with great wisdom, which riesce a ricreare una Spagna tanto fantastica quanto reale. Di seguito la "Pavane pour une infante défunte": antica danza che avrebbe potuto ballare con grazia, in un tempo sepolto nel passato, la piccola principessa di una corte spagnola. Al centro del concerto "Shéhérazade", le tre liriche per canto e orchestra su versi di Tristan Klingsor, interpretate dal mezzosoprano Monica Bacelli, protagonista sui palcoscenici più prestigiosi e nota per il suo ampio repertorio, che spazia da Monteverdi alla musica di oggi. Chiudono il concerto due tra le più celebri pagine di Ravel: la "Rapsodia spagnola", capace di andare al di là del folclore per restituire una Spagna misteriosa e insondabile, e il celeberrimo "Bolero", scritto nel 1928 per la ballerina Ida Rubinstein e presto diventato, con 25 incisioni in dieci anni, uno dei primi successi discografici della storia della musica.
Il concerto è replicato a Torino venerdì 11 marzo alle 21. Le poltrone numerate, da 30 a 15 euro (ridotto giovani per i nati dal 1981) sono in vendita sia online sia presso la biglietteria dell'Auditorium Rai. Un'ora prima dei due concerti sono messi in vendita gli ingressi non numerati a 20 e 9 euro (ingresso giovani per i nati dal 1981).
In occasione del concerto raveliano l’associazione Amici dell’Orchestra Sinfonica Nazionale Rai, inaugura un breve ciclo di conferenze: quattro appuntamenti a ingresso libero, per offrire percorsi introduttivi all’ascolto. Nel primo, mercoledì March 9, 2011 at 18.30 at the Coop of libraries in Turin Piazza Castello 113, Enzo Restagno, author of "Ravel and soul of things," reveals the horizon of the French composer, fine and dandy, ironically, plagued by a desire to " give voice to the soul of things. " Participants at the meeting also the protagonists of the concert: the conductor Gabriele Ferro and mezzo-soprano Monica Pods. Info: 011.8104653 - biglietteria.osn @ rai.it - \u200b\u200bwww.osn.rai.it.

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Antonio Pappano conducting the Orchestra dell'Accademia di Santa Cecilia on the web channel of Telecom Italy

Already from next March 10 if you connect the channel will www.telecomitalia.com media interviews, backstage and pills video of upcoming concerts that will star Antonio Pappano and the Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome. The concerts will be streamed live free ones by 14 March (at 21), March 16 (20.30), Sept. 16 (at 21). How does a concert? What is the common thread linking the artists and the songs chosen by the director and the soloists? What does it mean to "interpret" a piece of music? Really two versions of the same piece can be radically different? Why a symphony orchestra needs a conductor? Certainly not only to beat the time ... all these questions, interviews with the performers and following the step by step tests and preparing a concert to the final, he wants to meet the project by Telecom Italy and the Accademia di Santa Cecilia, which this year includes three events with his music director, Antonio Pappano, committed on the podium with two concerts symphony (March 14 and September 16), and March 16 at the piano in a chamber concert with the cellist Luigi Piovano. All offered free streaming in, great to see on your computer thanks to the media channel on the site www.telecomitalia.com Telecom Italy. All about www.santacecilia.it / pappanoinweb

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The first absolute time of the SALOME Petruzzelli of Bari, including whistles (for Sgarbi) and cheers (the cast) Here

The "first Once "the Salomé (to use the French reference with the inspired play by Oscar Wilde) by Richard Strauss in Bari Teatro Petruzzelli was greeted by applause more than convincing for the remarkable level of musical performance indeed, and a few whistles trip and "buuu" from the gallery for challenging the impromptu found by Vittorio Sgarbi, here as a director. But first things first. At a press conference in Rome a few days ago announced Sgarbi (on its way) funny parallel between the biblical story and the news today ("The triangle-Herod Herodias-Salome, which fleshes out the story, nothing more than what is filling ink For months the newspapers of the world: Berlusconi-Minetti-Ruby "), then reiterated in the foyer on Saturday morning in a meeting with journalists in the local press, decided only a few hours before. As a promotional and there was only provocative in that it is understood sgarbista output then the showdown of a show whose rehearsal, usually open to schools, instead was forbidden even to television operators. Create agonizing wait for such an event is known to be the salt of the show. Sgarbi, the most frequent visitor to television lounges theaters, this technique knows all too well exploited in a masterly way and broke it. Were in fact numerous requests for tickets for the three performances at the Petruzzelli. Furthermore, when the first performance of "Salome" was given all'Hofoper of Dresden in 1905 it caused deep irritation and shocked reactions of the public in the critical period and subject to the sadistic and perverse, as well as the violent eroticism and unhealthy sensuality evoked by the music of Strauss and dall'esplosivo the play Wilde wrote in French and transcribed verbatim in the German translation by Hedwig Lachmann librettist. The spectacle of Bari, it must be said, in the form semiscenica: that uses specially treated to projections by the celebrated set designer Ezio Frigerio based on photographs taken by the Listri Villa Sammezzano, built in neo-Moorish style in the early twentieth century near Florence. The idea is good to save on the cost of a real scene, but then should make a director who knows how to properly fill the space and make the characters move in a manner consistent with the reference text. It is here that Sgarbi disappoint, because its director is a static narrative that lives only a few thrills than a story known to overflowing and sculpted by music of extraordinary modernity which is that Straussian. The seduction scene with what should be a duet from "hot spirits" between Salomé and Jochanaan (John the Baptist) is revived in a rather detached and conventional, with erotic would say insignificant. The moment of the dance of seven veils with the canon of the final strip princess is also vilified by his natural sensuality: Salome does not dance, or strips, but they do so in its place a fortnight scollacciate dancers, choreographed by making use of valuable Isa Traversi. The twists at the end, they are basically just two: the presence illuminated by a bull's-eye of a judge-a woman in a proscenium stage (it is the "dreaded" Boccassini?) And the two heads on separate trays of 'Silver, one of the Baptist, the other of the same Sgarbi, but that appears only in the final work to seal the signing self to a show that, indeed, puzzling, provocative, and political manipulation in part, on its theatrical effectiveness, although he had costumes designed with the usual outstanding professionalism from the likes of Oscar Franca Squarciapino. Definitely the better way, in our opinion, the musical performance with a great experience as a manager Ralf Weikert, who oversaw the work difficult for an orchestra like the Petruzzelli, composed mainly of young and talented musicians in their Strauss first. Passed another examination, therefore, also in view of the American trip in Washington on 17 March. Accurate, as we said at the beginning, especially the vocal cast, scenically penalized by the director, who saw, in particular, stand out the beautiful marble Korean interpretation of Samuel Youn (Jochanaan), valid evidence of good Swedish Erika Sunnegardh (Salome) and Katja Lytting (Herodias), as excellent stature was the Herod Scott Macallister, recently applauded in Bari in Siegfried Wagner's tetralogy, which will be completed in October with "The Twilight of the Gods", always Petruzzelli.

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Venice in March is for women and happiness

's not only Carnival time in beautiful Veneiza, but will also "Women's March," a months in the name of happiness and the female protagonist, the one on Friday morning at Ca 'Doublets in a press conference, promoted by the Women's Center of the City of Venice, in collaboration with associations and women groups in the municipality. Have occurred, among others, the city councilor to the citizenship of women, Tiziana Agostini, and the head of the Women's Center, Gabriela Camozzi. "It 's important to be able to write a' gender dimension '- said Councillor Agostini - and refocusing the debate on the subject of women. Venice is a city where women are the protagonists, but at national level the dimension of female is not as valued. Our society has not yet fully understood the importance of women: we are people who know how to live well, be happy, and we want the other half of the sky to learn from us. "The program of" Women's March 2011 "- shown in first person by representatives of many associations and groups that have developed - is full of action (less than 19 and all free), ranging from sports of the 13. Women's race (Sunday, March 8, at 11), Benedetto Marcello Conservatory of music with "Homage the woman "(Saturday, March 12, at 18 with a concert contralto Bragadin John said, the picture is dedicated to the famous singer Barbara Strozzi), with two events of the poem" Poetry and Contemplation "(Friday 11 and Sunday, March 27 at St. Helena), teaching with the Internet Center of Marghera, the University of the Third Age, and Ca 'Foscari (Friday, March 25, 14.30, Barter classroom, opening of "Archives and records migrant writers "), theater (performances and workshops, such as" Silence and waiting for women to Edward Hopper "at the Civic Centre via Sernaglia Mestre), the debates, as against the use of degrading women's bodies in advertising" , scheduled at the Candiani Friday, March 25, at 9, and sponsored by EDU. "What made this year, despite the undeniable economic problems, is a richer and more plural than in 2010 - has spiegato Camozzi - con il quale vogliamo raggiungere e 'contaminare' quanti più luoghi cittadini, quante più donne e soprattutto uomini possibili, magari giovani. Alcune iniziative sono pensate proprio per loro, come la presentazione di "Dita di dama" al Candiani martedì 29 marzo, con i ragazzi dello Spritz letterario del liceo Morin. La grande mobilitazione del 13 febbraio scorso - ha concluso Camozzi - oltre ad aver dimostrato il fondamentale ruolo che le donne hanno nella nostra società, è servita anche a rimettere in gioco i grandi temi che ci riguardano da vicino, come il lavoro, il diritto allo studio, la maternità, la conciliazione dei tempi del lavoro e della famiglia".

Tra gli appuntamenti si ricorda anche quello alla House of female prison to the Giudecca, with the sight of Linda Bobbo (not open to the public), the presentation of the book "The roots of inequality" of the Feltrinelli Tiziana Agostini Mestre, Thursday, March 10, and finally "We set the budget five years of the Equal Opportunities Committee of the City of Venice, "Thursday, March 24, at 11:30, at Ca 'Doubleday. The highlight will be the show "Bricola and Queen" at the Teatro Momo Mestre, Tuesday, March 8 at 18.30. The complete program is available on site www.comune.venezia.it / c and women.

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"Claudio Scimone and EurOrchestra Bari: A night to remember "Corrado Roselli

"Thursday 3 marzo alle 21 il pubblico barese presente nella Basilica di San Nicola ha avuto la fortuna di apprezzare il seducente carisma di un direttore d’orchestra che tutto il mondo ci invidia: Claudio Scimone.
Fondatore e direttore de “I Solisti Veneti”, Scimone ha diretto molte delle orchestre più prestigiose a livello internazionale. Tra i numerosi premi ricevuti, ricordiamo il Grammy di Los Angeles, il Grand Prix du Disque dell’Academie Charles Cros di Parigi e l’Elisabeth Memorial Medal di Londra. Dal Presidente della Repubblica Italiana ha ricevuto l’onorificenza di Cavaliere di Gran Croce al merito della Repubblica e la Medaglia d’Oro dei benemeriti della scuola, dell’arte e della cultura.
L’elenco has enriched its awards the International Prize "Notes Olympus 2011" on Thursday evening was delivered by the President (Maestro Francesco Lentini) and the Artistic Director (Prof. Angela Montemurro) dell'EurOrchestra Chamber Bari, on the following grounds: "This award is to be a public witness to what in the world, we need to turn our gaze ever upward, illuminating the path to becoming noble figures, which enhance the union of love for Life with the Values \u200b\u200bof Music and Culture ". The Maestro Scimone, but with a few incisive words, thanked everyone for the award, pointing out that returning to lead in our Church after 50 years (April 1961): sign, that of a particular good will of St. Nicholas to him! But the most intense moment of the evening was the concert he conducted with impeccable and precise movement, disguised as a playful and serene lightness: the elements of who knows what the composer asks the performer, suggesting but not requiring, the solution better. The orchestra, including this writer who has been part as a violinist, was completely bewitched by the clarity of musical ideas and the fascinating and versatile artistic personality Scimone. In the first part the protagonist was Beethoven, with the wonderful Concerto op. 61 for violin and Orchestra in D Major, one of his most mellow and romantic, culminating in the famous final rondo and particular. Great performer he was the violinist Michael Lentini, who has made the right sweetness of sound, combined with a convincing phrasing, even in more complex technical passages, always resolved with remarkable skill: a very difficult job, taking into account the hands frozen by suffered great cold in the Basilica! The musician gave the audience an encore, the Sarabande from the Second Partita for solo violin by Bach. The concert ended with the Symphony in C major No. 60 "The Distracted" by Haydn, in which the director, Maestro Scimone, entertained the audience with her "Distractions" to consummate actor. Last bis orchestra was "Earthquake", from "The Seven Last Words of Christ" by Haydn. "CORRADO ROSELLI

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presented in Rome the Salome of Richard Strauss, with the (provocative?) directed by Vittorio Sgarbi Petruzzelli

Yesterday morning, at the headquarters at the Hotel National Rome, director Vittorio Sgarbi (pictured), the mayor of Bari and President "pro tempore" of the Foundation Petruzzelli, Michele Emiliano, and the superintendent of the Foundation Petruzzelli Giandomenico Vaccari, have officially introduced the "Salome" by Richard Strauss, scheduled to Teatro Petruzzelli of Bari Sunday, March 6 at 8:00 p.m., Tuesday, March 8 Thursday, March 10 at 20.30 and 20.30. "The Foundation Petruzzelli - said Michele Emiliano - could be likened to an infant who fight bravely to defend his young life. Our theater is reborn, he lives and moves through the efforts of its workers and the entire city, despite the difficult chapter in our country's culture. Working with Vittorio Sgarbi is an opportunity for us, just for his artistic sensibility and his love for the art world which emerges in this remarkable performance. Concerned about his provocative? Maybe a little ', to be sure we will see some good. " "This is the first Once the Salome will be performed at the Teatro Petruzzelli .- said Superintendent-Vaccari A challenge for our young and good orchestral ensemble led by Ralf Weikert. Is a crucial step in the history of music in the history of art and design space. So we've given to Vittorio Sgarbi, the task of designing and creating that space. " "The Petruzzelli - Sgarbi said - was one of the dominant themes of my government action. Its reopening, with a restoration so attentive, it was an achievement for the whole country. Sign this direction, as an innovative idea that the communities in an area strongly evocative of a real place, it was for gives me great pleasure. Thanks to the genius of the set designer Ezio Frigerio, a masterpiece will live on stage as the Castle of San Mezzano, through multi-media projections, which has nothing to envy the beautiful Alhambra in Granada. Our vision of the famous dance of seven veils will see 19 girls on stage dressed in beautiful costumes of the cut created by eastern Franca Squarciapino. An erotic dance, choreographed by Isa sensual Traversi. In the game stage opera love, passion, blood, death, processes will merge with great charm. " Will conduct the Orchestra of the Fondazione Petruzzelli master Ralf Weikert, to healing the scenes Ezio Frigerio, Franca Squarciapino costumes, the choreography Isa Traversi, the lighting design Gianni Mantovanini. In the role of Herod sings Scott Mac Allister, Katja Lytting will Herodias, Salome will be played by Erika Sunnegårdh, Samuel Youn (Jochanaan), Eric Fennell (Narraboth) and Stefanie Irányi (a page of Herodias) complete the cast of voice actors. Followed by five Jews will be interpreted by Aldo Ursu, Alexander Kaimbacher, Feltracco Antonio, Michael D'Abundo and Carlo Di Cristoforo, Aleksey Yakymov and Rogelio Marin (Two Nazarenes), the two soldiers will be interpreted by Aleksey Yakymov and Paul Battaglia, Carlo Crisfoforo of (man of Cappadocia), Marco De Carolis (a slave). Assistant director Cynthia Gangarella, assistant set designer Oscar Cafaro. Tickets on sale at the ticket office of the Teatro Petruzzelli or www.bookingshow.com. Infopoint: 080.975.28.40.

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for Tomorrow in the Library of D'Addosio Capurso (BA) has set Alex Romanelli Alceste Ayroldi to "his" Disco * Ideal

"The Youth Politics, Culture and Sport and Local Marketing in the person of the City of Councillor Michele Capurso Laricchia and Marisabel Prigigallo, city councilors delegated the coordination of the Library "GD'Addosio" presents "The Writer played" exhibition curated and designed by Alceste Ayroldi, professor and music critic. The cycle of meetings will be open tomorrow, Friday, March 4 (19.00, Biblioteca Comunale GD'Addosio Capurso) with the writer, music critic and journalist Alex Romanelli who will present his latest work published on the e-book "My ideal club" (ed. Leggereleggere, Milan, 2010). A veritable anthology of critical cards on more than 100 interpretations of the most successful, compositions of classical music recorded on compact disc. The methodological approach chosen should not be deceived: this book absolutely does not want to be a systematic recordings of all (or almost) musical compositions existing main, but simply want to suggest to those who want the idea of \u200b\u200bcreating, through the purchase of the engravings analyzed here, a considerable wealth of interpretations of great value and recognized. It wants to represent for those who approach for the first time in this fascinating world, a guide handy and easy to read in the vast and often very complex panorama of classical music. The author was born in 1963 and lives in Bari is concerned with music criticism and journalism since 1983, when he began collaborating with the daily life of the regional "Puglia". He has also published four short biographies respectively Gustav Mahler, Anton Bruckner, Johannes Brahms and Tchaikovsky Piotr Il'ijc it is also very active on the Internet, where in the last decade has worked to create some blogs and portals of success on the Net ("The Musicante.net" together with the composer and pianist Andrew Abruzzese Paul and "The Ear of Dionysus") dedicated mainly to classical music, contemporary and opera. He has collaborated with music conservatories, opera houses, music associations, publishers and many newspapers and news magazines, among which are "Roma", "Corriere del Mezzogiorno", "Barisera", "counterpoint", "Nelmes "and" LSD Magazine. The author will make use of audio / video to be distributed and screened in room. The meeting will be moderated by the artistic coordinator of the event, Alceste Ayroldi. The appointment Tomorrow will be preceded by an exhibition of Divietodisosta Duo, consisting of Philip Constantinou (vocals) and Franco Vingiano (guitar), who will present their repertoire of songs. The next event is scheduled for Friday, March 11 with the writer and music critic Flavio Caprera who will present his latest work "Jazz 101" (ed.Piccola Biblioteca Oscar Mondadori), with Mino Lacirignola Jazz Band. * (Taken from the online portal "Puglialive.net, March 3, 2011)

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Counterpoints on an open letter to the painter Michael Damiani Maestro Riccardo Muti *

" Dear Maestro Muti, the news of his illness on the podium of Chicago, at first , we were very upset. But after a while we thought that everything would be for the better. And how could it be otherwise? All the beauty of music that has given us, that you have given the world, would help her. In one of his novels, the writer Paul Maurensig, "Canone inverso, 'she said to the protagonist as follows:" For a long time I thought of writing a story that has for the music player. It is well known that music can give great emphasis to a poem or play, sometimes make otherwise mundane sublime verses. But for me it is unlikely to evoke or suggest something dramatic. On the contrary, it is the safest refuge from the dramas of life. " We were wrong. You Gospel was easy. Our earth produces strong men such as olive proudly presents as cathedrals. Some men have the duty and obligation to be an example to other men. The genius is the daughter of intelligence and wisdom and passion. Today more than ever worth the life of his instructions, Master. In life as in art, what counts is the lightness of party discipline, passionate, creative freedom. Fixed points in a time dominated by the darkness of consciousness. Enjoyable reading his recent book "Before the music then the words," looks like a flying wing looking for a point where to stop. A pleasant journey into the world with the hopes and della musica. Un
viatico per il viaggiatore che trova e
prende per elargire. Un atto di fede un
esempio di vita, metafora dell’Amore
superiore. Un esempio da seguire mai
da imitare. È in atto nel mondo una operazione
ossessiva di demolizione della
bellezza, la distruzione sistematica dell’unico
valore che fa dell’uomo una
creatura altra, la Creatività.
Con l’auspicio che il suo soggiorno
americano sia il più confortevole possibile
nella colta Chicago, città delle cento
Università, l’aspettiamo al più presto
nella terra della Musica e non più del
silenzio.
Con un abbraccio grande dal Suo

Michele Damiani".
*(Tratto da "ContrAppunti", Marzo 2011)

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tonight in the great Basilica of San Nicola Claudio Scimone dall'EurOrchestra will be awarded to Bari Bari

Tonight, at 21.00, the Basilica of San Nicola will be the picturesque setting to the expected return in Puglia renowned conductor Claudio Scimone Padua (pictured), who will lead the EurOrchestra Chamber of Bari in the performance of Concerto for Violin and Orchestra in D major op. 61 by Ludwig van Beethoven (solo violinist Michael Lentini) and Symphony No. 60 in C major, called "Distracted" by Franz Joseph Haydn. Scimone will be awarded during the evening of the International Prize "NOTES IN 'Olimpo - the Department of Music of Our Time" award, now in its seventh edition, is born each year to offer recognition to artistic figures in the course of his career have distinguished themselves in their efforts to increase international musical culture. Not fail in the gallery of winning a world-class character as Claudio Scimone, a real monster sacred and ambassador, together with the greatest vocal ensembles, the Italian music in the world that during a fifty-year career has brought the name ultra Italy on the most prestigious venues on five continents, placing the spotlight of international public pages and composers, among the least known of the Italian Baroque repertoire. Scimone, born in 1934, formed the great school teachers who now legendary Dmitri Mitropoulos and Franco Ferrara and was able to head for recordings and live performances prestigious teams such as the Royal Philharmonic Orchestra of London, the Yomiuri Nippon Symphony Orchestra Tokyo, Orchestre National de l'Opéra Monte Carlo and the Gulbenkian Orchestra of Lisbon, which is still honorary director, dealing with performers of the caliber of Sir James Galway, Salvatore Accardo, Uto Ughi, Ruggero Raimondi, José Carreras. But the ensemble to which the name is more closely linked Scimone is that he founded in 1959, I Solisti Veneti. The chamber orchestra in the last fifty years has reached unparalleled heights performance of the Italian Baroque repertoire, performed with modern instruments, becoming the interpreter of international reference the works of Antonio Vivaldi, Tomaso Albinoni, Benedetto Marcello and Giuseppe Tartini, receiving prestigious awards for live performances and numerous recordings record. The show opens on notes of the Concerto for Violin and Orchestra in D major op. 61, composed by Beethoven in 1806, and it is wonderful to witness one of the most fertile creative periods of the brilliant German composer. The concert unfolds in three movements (Allegro, Larghetto, Rondo: Allegro), and is characterized by long-distance dialogue between the violin soloist e l’orchestra, per un’opera di indubbio fascino, alla quale non hanno saputo resistere i maggiori violinisti del mondo: solista per l'occasione sarà Michelangelo Lentini.
La seconda parte della serata sarà incentrata sull’esecuzione della Sinfonia n. 60 in do maggiore, di Franz Joseph Haydn, terminata nel 1775, e soprannominata Il Distratto, ,in quanto riutilizza alcune parti musicali composte da Haydn per un’opera tratta da Le Distrait, di Jean-François Regnard: la sinfonia si articola in sei movimenti. Il concerto è a ingresso libero.

Associazione EurOrchestra da Camera di Bari/ infotel. 0805744559 /
www.eurorchestra.it - direzione@eurorchestra.it/
www.progettovallisa.it / info@progettovallisa.it
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Electric Box Iphone Level Solutions 19

Al BLUorG goes scene "I am writing from the clouds. Maria "by and with Carmela Vincenti


Dopo il convincente successo dello spettacolo nei mesi scorsi al Teatro Forma di Bari, da venerdì 11 marzo, alle ore 21.00, andrà in scena presso l'associazione culturale BLUorG lo spettacolo "Ti scrivo dalla nuvole. A Maria" di e con Carmela Vincenti, in replica sino al 27 marzo. Venerdì e sabato ore 21.00, domenica ore 18.30. Il progetto-spettacolo rivolge uno sguardo commosso sul rapporto artistico e umano fra Maria Callas e Pier Paolo Pasolini (insieme in una "curiosa" foto).
Per l'occasione sarà allestita una mostra di abiti e accessori originali, provenienti dal "patinato mondo" vissuto by Maria Callas, 1900 proposed by the Atelier of Bari Limited seating by reservation. For info and reservations: Associazione Culturale BLUorG / Via M. Celentano 92.94 70 121 Bari / email: info@bluorg.it / Infotel: 080.9904379

Where Can I Buy A Strong Magnet

The Collegium Musicum of Bari resumes its season tonight at the Kursaal Santalucia

Tonight, at 20.45 at the Teatro Kursaal Santalucia Bari resume "The concerts of the Collegium Musicum" conducted by Maestro Rino Brown with the participation of Rosiello Marcello (baritone), Giuseppe Carabellese (cello), Angela Annese (piano) and the presence of exceptional Maestro Touvron Guy (trumpet), with music by A. Margon, JB Arban, C. Debussy, J. Francaix. Al concert will present the composer Maestro Alain Margoni and the poet Prof.Giovanni Dotoli. The press office of the ensemble Bari states that the concert this evening at the Kursaal was organized independently and without any collaboration with the "House of Music" (Sounds Puglia), which manages the facility. Sounds Puglia is therefore excluded from any possible liability on the merits.

Brown Hair Red Highlights

" disappointing in the Disney Vallisa in Jazz " RN *

"With great enthusiasm I got up to look at this concert. Maybe too many expectations, because, despite the well-known skill of each musician on stage, the concert never took off. After a first piece instrumental in where the three musicians were searching in vain for a reason amalgam without finding it, we find the voice of the singer that began shrieking and small blow "Cam fireplace, fireplace chimney sweep cam" that rather than a theme taken from the famous film Mary Poppins Disney animation, seemed to resemble a horror thriller music. A follow "Cruella de mon", another piece completely distorted by an arrangement which, as in the whole concert has hardly ever allowed musicians to create complicated relationship with the public and to initiate a process of listening pleasure. Always difficult and stunted early closures, was even to think that the four musicians had never tried together oppure che ci fosse la chiara intenzione di trasformare dei bei motivi delle tradizioni disneyane in qualcosa di oggettivamente brutto. Solo quando si è inserito il sax di Roberto Ottaviano, a concerto quasi finito, e solo quando sostituiva la voce, c’è stato un vago tentativo di coesione, subito decapitato dall’inserimento dei reiterati gridolini della cantante il cui senso musicale è risultato oggettivamente incomprensibile. Unico brano ascoltabile il forzato bis "A dream is a wish your heart makes" tratto da Cenerentola. Insomma un’occasione persa. Peccato. Poco il pubblico che ha applaudito. Le ultime file erano praticamente congelate, e non certo dal freddo meteorologico."
MARINA MILITARE

* "Disney in jazz" – Manosperti concert with Lisa (vocals), David Santorsola (piano), Fabio Dellefoglie (drums), Giorgio Vendola (bass). Guest Roberto Ottaviano (alto sax) - Review: "In the game of Jazz" - Vallisa Auditorium, February 25, 2011, Bari 21 hours.

Does The Scorpio Man Like To Flirt

Al Bari Franco Sebastiani Theatre Form directs the Coro Foundation Petruzzelli in Rossini's Petite Messe Solennelle

Petruzzelli The Foundation offers the third installment in the "Special Events non-subscription" ensemble dedicated to the art form that will take place at the Teatro di Bari Thursday, March 3 at 21.00, the Form Theatre, the Foundation Petruzzelli Chorus, conducted by Franco Sebastiani and accompanied on the piano and harmonium Lucia Basin da Adriana Mangione, eseguirà un programma dedicato alla Petite Messe Solennelle di Gioachino Rossini.
Solisti: Francesca Rinaldi (soprano), Concetta d’Alessandro (mezzosoprano), Aldo Caputo (tenore), Domenico Colaianni (bass bariton).
Interverrà Michele Emiliano, sindaco di Bari e presidente della Fondazione Petruzzelli.
Biglietti in vendita al botteghino del teatro Petruzzelli ed on-line su www.bookingshow.com

Flashy Flashers Case

mendelssohniani concerts for the Orchestra of the Province of Bari, directed by Tania Morandini


Giovedì 3 marzo 2011 alle ore 21.00 presso il Teatro Rossini di Gioia del Colle l’Orchestra Sinfonica della Provincia di Bari si esibirà in un concerto interamente dedicato a Mendelssohn diretto dal Tania Morandini teacher (in the photo. Tickets go on sale the evening of the concert at the box office of Teatro Rossini. Infoline: 080.5412302). The concert will be repeated on Friday, March 4 at 21:00 at the Auditorium of the Salesians in Santeramo in Colle (free admission) and Saturday 5 March at 21:00 at the Basilica of San Nicola in Bari (free admission). The evening opens with a performance of 'Op 26 Overture, Fingal's Cave of Felix Mendelssohn Bartholdy (1809 - 1847). Composed around 1830, but revised several times over the next two years, this was inspired by Mendelssohn's Overture from a trip in the Scottish Highlands. In particular, after visiting the island the Staffa of Fingal's Cave - the father of Ossian in accordance with the English mythology - the author was so impressed by the sound of waves crashing on the mouth of the cave, they decided to reproduce the unique sound. Not surprisingly, the overture opens with a motif of the arches and wood that evokes the magic and lapping, in a sense, it dominates the entire duration of the composition. L'Ouverture was performed for the first time in London on May 14, 1832 under the leadership of Thomas Attwood. Maybe, then, the time of the "Dream of a midsummer night, suites from incidental music, Op. 61. Mendelssohn composed the suite op. 21 "A Midsummer Night's Dream Summer "at the age of 17 in 1826, on the basis of the enthusiasm felt after reading the homonymous work of Shakespeare. Then, re-use the same material to make the music scene of the work represented in July of '43 in Potsdam, commissioned by Frederick William IV of Prussia. On that occasion, Mendelssohn added thirteen new paintings are listed with opus number 61 / a. Absolute masterpiece for so young an author, describes the overture with a singular effect on the fantasy world as imagined by Shakespeare, starting from the four agreements delicate introduction, followed by a lift off the strings. The concert ends with the performance of the Symphony No 1 in C minor, Op. 11. Precocious musical talent, Mendelssohn composed his first symphony at age eleven in 1820 and four years later the number had increased to twelve. However, these works remained unpublished for a long time and then not included in the official catalog of compositions. An exception to this rule, although it is very close to the adolescent nature of previous symphonies, No 1 in C minor, Op. 11, composed in 1824, which, however, Mendelssohn initially attributed the number XIII.