Sunday, March 13th at 20:00 at the Angevin Castle of Mola di Bari, concert will be the young pianist Leonardo COLAFELICE (pictured), winner of the last edition of the TIM (International Tournament of Music) as well as over 40 prizes in national competitions of the best known category. The program includes music by Nielsen, Chopin, Schumann, Liszt, Prokofiev, Stravinsky. The concert is organized in collaboration with the Region of Puglia (abs. Mediterranean and Culture), Province of Bari (abs. of Culture) and the City of Mola di Bari (abs. of Culture). Admission: € 8.00 (Normal) € 5.00 (reduced over 65), € 2.00 (reduced under 26); Infotel. 368.56.84.12 / email: agimus@alice.it / website: www.agimuspadovano.com/
Thursday, March 10, 2011
Side Effects Of A Blunt
Next Sunday, the young concert pianist Leonardo Colafelice for Agimus in Mola di Bari Barletta
Sunday, March 13th at 20:00 at the Angevin Castle of Mola di Bari, concert will be the young pianist Leonardo COLAFELICE (pictured), winner of the last edition of the TIM (International Tournament of Music) as well as over 40 prizes in national competitions of the best known category. The program includes music by Nielsen, Chopin, Schumann, Liszt, Prokofiev, Stravinsky. The concert is organized in collaboration with the Region of Puglia (abs. Mediterranean and Culture), Province of Bari (abs. of Culture) and the City of Mola di Bari (abs. of Culture). Admission: € 8.00 (Normal) € 5.00 (reduced over 65), € 2.00 (reduced under 26); Infotel. 368.56.84.12 / email: agimus@alice.it / website: www.agimuspadovano.com/
Sunday, March 13th at 20:00 at the Angevin Castle of Mola di Bari, concert will be the young pianist Leonardo COLAFELICE (pictured), winner of the last edition of the TIM (International Tournament of Music) as well as over 40 prizes in national competitions of the best known category. The program includes music by Nielsen, Chopin, Schumann, Liszt, Prokofiev, Stravinsky. The concert is organized in collaboration with the Region of Puglia (abs. Mediterranean and Culture), Province of Bari (abs. of Culture) and the City of Mola di Bari (abs. of Culture). Admission: € 8.00 (Normal) € 5.00 (reduced over 65), € 2.00 (reduced under 26); Infotel. 368.56.84.12 / email: agimus@alice.it / website: www.agimuspadovano.com/
Wesley Pipes Horrible
Here: Duo with the crust - Head kicks off the 2011 season next Sunday at the association
Sunday, March 13, at 19.00 (18.30 door), there will be first concert of the Twelfth Season Art Association art - cultural Athenaeum of Barletta. The event will be featuring a Duo already present in the past with great success: the one composed by Alessandro Campania Crust (flute) and Nadia Testa (piano), which this time will play an enjoyable program that will be featured famous opera arias and themes, through entertainment and fantasy for flute and piano. The altri quattordici concerti vedranno un'offerta artistica come sempre varia e interessante: nomi prestigiosi del panorama internazionale (la grande pianista uruguayana Raquel Boldorini, il Trio Giocoso, il duo soprano - pianoforte rumeno Achilov - Kalmuski), accanto a giovani locali promettenti e ai migliori artisti riconfermati a grande richiesta del pubblico, tutti con programmi di grande interesse e bellezza. Tre le cantanti: oltre alla rumena Achilov, con un interessantissimo programma molto vario che va dal settecentesco Giordani fino ad Enescu, la mezzosoprano molfettese Antonella Piscitelli (nella foto), accompagnata al pianoforte da Maria Musti, in un programma il cui punto forte è la presenza di preziosi brani di compositori pugliesi come Paisiello and Giuliani, and the soprano Roman Gabriella De Nardo, a wonderful recital with Mozart's piano Francesca Musti. Two pianists will perform programs of the highest caliber of great depth and variety: Raquel Boldorini with two wonderful sonatas by Haydn and Beethoven (the famous "Moonlight"), the enchanting The Book of Images by Claude Debussy and the contemporary American Variations Aaron Copland; Luca Donati with its eclectic range of ability among the masterpieces of classical music and other genres such as jazz standards and sound, reinterpreting with his ingenious reworking. For chamber music, will be given space to a trio (violin, cello, piano) of young Puglia: Francesco Illuzzi, Alessandra and Raffaele Fuccillo Cefaliello, with two pages of fresh and pleasant classical music, the Trio op. 1 No 3 in C minor, one of the first works of a young Beethoven, and the brilliant and noble Trio No.2 in C minor Op.66 F. Mendelssohn. Two formations of duo piano: the duo Musti, with a program entitled "Liszt and friends" (the great romantic composer marks the birth duecentenario) dedicated to the great Hungarian virtuoso and his friends, and the duo of Giuseppe Di Nucci and Manlio Pinto, in "On Joue A peu a peu on Danse." The Playful Way, formation of high level international successful combination of Swiss clarinetist Elisabeth Ganter, the bassoonist Romanian Pavel Ionescu and Italian pianist Emilio Aversano, will perform a beautiful and unusual program incorporating the Trio in C Op.43 Kreutzer, Trio Pathetique by Russian Mikhail Glinka, the Konzertstück N. 1 op. 113 by Felix Mendelssohn and Trio op.38 by Ludwig van Beethoven. The duo Michele Liguria Menardi Noguera, flute, and Lori Orlando, piano, proposing instead a delicate and fresh program titled "Frescoes pastoral." Joseph Doronzo, saxophonist Barletta, and Luca Donati will return after the great success of last year with another stunning concert includes sonatas by contemporary authors for different types of saxophones. The concerts will take place all in the Athenaeum Hall, in Via Madonna degli Angeli 29, for information and reservations please contact at 0883348748 or visit: http://www.associazioneathenaeum.it/. The subscription costs 50 € for 15 concerts, single ticket: 10 €.
Sunday, March 13, at 19.00 (18.30 door), there will be first concert of the Twelfth Season Art Association art - cultural Athenaeum of Barletta. The event will be featuring a Duo already present in the past with great success: the one composed by Alessandro Campania Crust (flute) and Nadia Testa (piano), which this time will play an enjoyable program that will be featured famous opera arias and themes, through entertainment and fantasy for flute and piano. The altri quattordici concerti vedranno un'offerta artistica come sempre varia e interessante: nomi prestigiosi del panorama internazionale (la grande pianista uruguayana Raquel Boldorini, il Trio Giocoso, il duo soprano - pianoforte rumeno Achilov - Kalmuski), accanto a giovani locali promettenti e ai migliori artisti riconfermati a grande richiesta del pubblico, tutti con programmi di grande interesse e bellezza. Tre le cantanti: oltre alla rumena Achilov, con un interessantissimo programma molto vario che va dal settecentesco Giordani fino ad Enescu, la mezzosoprano molfettese Antonella Piscitelli (nella foto), accompagnata al pianoforte da Maria Musti, in un programma il cui punto forte è la presenza di preziosi brani di compositori pugliesi come Paisiello and Giuliani, and the soprano Roman Gabriella De Nardo, a wonderful recital with Mozart's piano Francesca Musti. Two pianists will perform programs of the highest caliber of great depth and variety: Raquel Boldorini with two wonderful sonatas by Haydn and Beethoven (the famous "Moonlight"), the enchanting The Book of Images by Claude Debussy and the contemporary American Variations Aaron Copland; Luca Donati with its eclectic range of ability among the masterpieces of classical music and other genres such as jazz standards and sound, reinterpreting with his ingenious reworking. For chamber music, will be given space to a trio (violin, cello, piano) of young Puglia: Francesco Illuzzi, Alessandra and Raffaele Fuccillo Cefaliello, with two pages of fresh and pleasant classical music, the Trio op. 1 No 3 in C minor, one of the first works of a young Beethoven, and the brilliant and noble Trio No.2 in C minor Op.66 F. Mendelssohn. Two formations of duo piano: the duo Musti, with a program entitled "Liszt and friends" (the great romantic composer marks the birth duecentenario) dedicated to the great Hungarian virtuoso and his friends, and the duo of Giuseppe Di Nucci and Manlio Pinto, in "On Joue A peu a peu on Danse." The Playful Way, formation of high level international successful combination of Swiss clarinetist Elisabeth Ganter, the bassoonist Romanian Pavel Ionescu and Italian pianist Emilio Aversano, will perform a beautiful and unusual program incorporating the Trio in C Op.43 Kreutzer, Trio Pathetique by Russian Mikhail Glinka, the Konzertstück N. 1 op. 113 by Felix Mendelssohn and Trio op.38 by Ludwig van Beethoven. The duo Michele Liguria Menardi Noguera, flute, and Lori Orlando, piano, proposing instead a delicate and fresh program titled "Frescoes pastoral." Joseph Doronzo, saxophonist Barletta, and Luca Donati will return after the great success of last year with another stunning concert includes sonatas by contemporary authors for different types of saxophones. The concerts will take place all in the Athenaeum Hall, in Via Madonna degli Angeli 29, for information and reservations please contact at 0883348748 or visit: http://www.associazioneathenaeum.it/. The subscription costs 50 € for 15 concerts, single ticket: 10 €. src="http://pagead2.googlesyndication.com/pagead/show_ads.js">
Tuesday, March 8, 2011
Female Whipping Scenes/movies
Athenaeum House Giannini driving listening to Wagner "Wesendonck Lieder" by Adele Boghetich
Thursday, March 10 will be held in Casa Giannino (Via Sparano, 172 - BARI - Admission Free / 18.30 / Infotel 080.524.68.64) The fifth and final meeting of the series "Music , Eros and Thanatos ", organized in collaboration with the ACIT (Associazione Culturale Italo-German) and organized by Adele Boghetich musicologist. In the program of guided listening Wesendonck Lieder by Richard Wagner composed by the famous German musician in the quiet Asylum Zurich, between the years 1857/1858, on texts of his beloved Mathilde von Wesendonck: five beautiful love song, which already announced the harmonies and Leitmotive of his masterpiece "Tristan und Isolde."
Thursday, March 10 will be held in Casa Giannino (Via Sparano, 172 - BARI - Admission Free / 18.30 / Infotel 080.524.68.64) The fifth and final meeting of the series "Music , Eros and Thanatos ", organized in collaboration with the ACIT (Associazione Culturale Italo-German) and organized by Adele Boghetich musicologist. In the program of guided listening Wesendonck Lieder by Richard Wagner composed by the famous German musician in the quiet Asylum Zurich, between the years 1857/1858, on texts of his beloved Mathilde von Wesendonck: five beautiful love song, which already announced the harmonies and Leitmotive of his masterpiece "Tristan und Isolde." src="http://pagead2.googlesyndication.com/pagead/show_ads.js">
Monday, March 7, 2011
How To Clean Toy Poodle Teeth
Here Torino: Gabriele Ferro conducts the OSN Rai in a concert of all concerts of Ravel
"Asia, Asia, Asia, ancient country of wonderful fairy tales, where imagination sleeps like an empress, in the whole forest full of mystery" are the words of Scheherazade , the Persian princess protagonist of the Thousand and One Nights and the homonymous composition by Maurice Ravel. And it is entirely devoted to Ravel Orchestra Sinfonica Nazionale Rai - back from the success of the tour in the United Arab Emirates - scheduled for Thursday, March 10, 2011 at 20:30 Auditorium Rai "Arturo Toscanini" in Turin, broadcast live on Radio 3 and streamed live on the site www.osn.rai. com. Gabriele Ferro on the podium (pictured), former Principal Conductor of the Teatro Massimo of Palermo, San Carlo di Napoli, Generalmusikdirektor the Staatstheater Stuttgart and interpreter of success with the most prestigious orchestras in the world, from the Leipzig Gewandhaus Orchestra and the BBC Radio France. The program "Alborada del gracioso, originally one of the sparkling gems of sound piano Miroirs, then orchestrated by Ravel with great wisdom, which riesce a ricreare una Spagna tanto fantastica quanto reale. Di seguito la "Pavane pour une infante défunte": antica danza che avrebbe potuto ballare con grazia, in un tempo sepolto nel passato, la piccola principessa di una corte spagnola. Al centro del concerto "Shéhérazade", le tre liriche per canto e orchestra su versi di Tristan Klingsor, interpretate dal mezzosoprano Monica Bacelli, protagonista sui palcoscenici più prestigiosi e nota per il suo ampio repertorio, che spazia da Monteverdi alla musica di oggi. Chiudono il concerto due tra le più celebri pagine di Ravel: la "Rapsodia spagnola", capace di andare al di là del folclore per restituire una Spagna misteriosa e insondabile, e il celeberrimo "Bolero", scritto nel 1928 per la ballerina Ida Rubinstein e presto diventato, con 25 incisioni in dieci anni, uno dei primi successi discografici della storia della musica.
Il concerto è replicato a Torino venerdì 11 marzo alle 21. Le poltrone numerate, da 30 a 15 euro (ridotto giovani per i nati dal 1981) sono in vendita sia online sia presso la biglietteria dell'Auditorium Rai. Un'ora prima dei due concerti sono messi in vendita gli ingressi non numerati a 20 e 9 euro (ingresso giovani per i nati dal 1981).
In occasione del concerto raveliano l’associazione Amici dell’Orchestra Sinfonica Nazionale Rai, inaugura un breve ciclo di conferenze: quattro appuntamenti a ingresso libero, per offrire percorsi introduttivi all’ascolto. Nel primo, mercoledì March 9, 2011 at 18.30 at the Coop of libraries in Turin Piazza Castello 113, Enzo Restagno, author of "Ravel and soul of things," reveals the horizon of the French composer, fine and dandy, ironically, plagued by a desire to " give voice to the soul of things. " Participants at the meeting also the protagonists of the concert: the conductor Gabriele Ferro and mezzo-soprano Monica Pods. Info: 011.8104653 - biglietteria.osn @ rai.it - \u200b\u200bwww.osn.rai.it.
"Asia, Asia, Asia, ancient country of wonderful fairy tales, where imagination sleeps like an empress, in the whole forest full of mystery" are the words of Scheherazade , the Persian princess protagonist of the Thousand and One Nights and the homonymous composition by Maurice Ravel. And it is entirely devoted to Ravel Orchestra Sinfonica Nazionale Rai - back from the success of the tour in the United Arab Emirates - scheduled for Thursday, March 10, 2011 at 20:30 Auditorium Rai "Arturo Toscanini" in Turin, broadcast live on Radio 3 and streamed live on the site www.osn.rai. com. Gabriele Ferro on the podium (pictured), former Principal Conductor of the Teatro Massimo of Palermo, San Carlo di Napoli, Generalmusikdirektor the Staatstheater Stuttgart and interpreter of success with the most prestigious orchestras in the world, from the Leipzig Gewandhaus Orchestra and the BBC Radio France. The program "Alborada del gracioso, originally one of the sparkling gems of sound piano Miroirs, then orchestrated by Ravel with great wisdom, which riesce a ricreare una Spagna tanto fantastica quanto reale. Di seguito la "Pavane pour une infante défunte": antica danza che avrebbe potuto ballare con grazia, in un tempo sepolto nel passato, la piccola principessa di una corte spagnola. Al centro del concerto "Shéhérazade", le tre liriche per canto e orchestra su versi di Tristan Klingsor, interpretate dal mezzosoprano Monica Bacelli, protagonista sui palcoscenici più prestigiosi e nota per il suo ampio repertorio, che spazia da Monteverdi alla musica di oggi. Chiudono il concerto due tra le più celebri pagine di Ravel: la "Rapsodia spagnola", capace di andare al di là del folclore per restituire una Spagna misteriosa e insondabile, e il celeberrimo "Bolero", scritto nel 1928 per la ballerina Ida Rubinstein e presto diventato, con 25 incisioni in dieci anni, uno dei primi successi discografici della storia della musica. Il concerto è replicato a Torino venerdì 11 marzo alle 21. Le poltrone numerate, da 30 a 15 euro (ridotto giovani per i nati dal 1981) sono in vendita sia online sia presso la biglietteria dell'Auditorium Rai. Un'ora prima dei due concerti sono messi in vendita gli ingressi non numerati a 20 e 9 euro (ingresso giovani per i nati dal 1981).
In occasione del concerto raveliano l’associazione Amici dell’Orchestra Sinfonica Nazionale Rai, inaugura un breve ciclo di conferenze: quattro appuntamenti a ingresso libero, per offrire percorsi introduttivi all’ascolto. Nel primo, mercoledì March 9, 2011 at 18.30 at the Coop of libraries in Turin Piazza Castello 113, Enzo Restagno, author of "Ravel and soul of things," reveals the horizon of the French composer, fine and dandy, ironically, plagued by a desire to " give voice to the soul of things. " Participants at the meeting also the protagonists of the concert: the conductor Gabriele Ferro and mezzo-soprano Monica Pods. Info: 011.8104653 - biglietteria.osn @ rai.it - \u200b\u200bwww.osn.rai.it.
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Cute Food Names For Baby Shower
Antonio Pappano conducting the Orchestra dell'Accademia di Santa Cecilia on the web channel of Telecom Italy
Already from next March 10 if you connect the channel will www.telecomitalia.com media interviews, backstage and pills video of upcoming concerts that will star Antonio Pappano and the Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome. The concerts will be streamed live free ones by 14 March (at 21), March 16 (20.30), Sept. 16 (at 21). How does a concert? What is the common thread linking the artists and the songs chosen by the director and the soloists? What does it mean to "interpret" a piece of music? Really two versions of the same piece can be radically different? Why a symphony orchestra needs a conductor? Certainly not only to beat the time ... all these questions, interviews with the performers and following the step by step tests and preparing a concert to the final, he wants to meet the project by Telecom Italy and the Accademia di Santa Cecilia, which this year includes three events with his music director, Antonio Pappano, committed on the podium with two concerts symphony (March 14 and September 16), and March 16 at the piano in a chamber concert with the cellist Luigi Piovano. All offered free streaming in, great to see on your computer thanks to the media channel on the site www.telecomitalia.com Telecom Italy. All about www.santacecilia.it / pappanoinweb
Already from next March 10 if you connect the channel will www.telecomitalia.com media interviews, backstage and pills video of upcoming concerts that will star Antonio Pappano and the Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome. The concerts will be streamed live free ones by 14 March (at 21), March 16 (20.30), Sept. 16 (at 21). How does a concert? What is the common thread linking the artists and the songs chosen by the director and the soloists? What does it mean to "interpret" a piece of music? Really two versions of the same piece can be radically different? Why a symphony orchestra needs a conductor? Certainly not only to beat the time ... all these questions, interviews with the performers and following the step by step tests and preparing a concert to the final, he wants to meet the project by Telecom Italy and the Accademia di Santa Cecilia, which this year includes three events with his music director, Antonio Pappano, committed on the podium with two concerts symphony (March 14 and September 16), and March 16 at the piano in a chamber concert with the cellist Luigi Piovano. All offered free streaming in, great to see on your computer thanks to the media channel on the site www.telecomitalia.com Telecom Italy. All about www.santacecilia.it / pappanoinweb src="http://pagead2.googlesyndication.com/pagead/show_ads.js">
Is It Dangerous To Masterbate With A Shower Head
The first absolute time of the SALOME Petruzzelli of Bari, including whistles (for Sgarbi) and cheers (the cast) Here
The "first Once "the Salomé (to use the French reference with the inspired play by Oscar Wilde) by Richard Strauss in Bari Teatro Petruzzelli was greeted by applause more than convincing for the remarkable level of musical performance indeed, and a few whistles trip and "buuu" from the gallery for challenging the impromptu found by Vittorio Sgarbi, here as a director. But first things first. At a press conference in Rome a few days ago announced Sgarbi (on its way) funny parallel between the biblical story and the news today ("The triangle-Herod Herodias-Salome, which fleshes out the story, nothing more than what is filling ink For months the newspapers of the world: Berlusconi-Minetti-Ruby "), then reiterated in the foyer on Saturday morning in a meeting with journalists in the local press, decided only a few hours before. As a promotional and there was only provocative in that it is understood sgarbista output then the showdown of a show whose rehearsal, usually open to schools, instead was forbidden even to television operators. Create agonizing wait for such an event is known to be the salt of the show. Sgarbi, the most frequent visitor to television lounges theaters, this technique knows all too well exploited in a masterly way and broke it. Were in fact numerous requests for tickets for the three performances at the Petruzzelli. Furthermore, when the first performance of "Salome" was given all'Hofoper of Dresden in 1905 it caused deep irritation and shocked reactions of the public in the critical period and subject to the sadistic and perverse, as well as the violent eroticism and unhealthy sensuality evoked by the music of Strauss and dall'esplosivo the play Wilde wrote in French and transcribed verbatim in the German translation by Hedwig Lachmann librettist. The spectacle of Bari, it must be said, in the form semiscenica: that uses specially treated to projections by the celebrated set designer Ezio Frigerio based on photographs taken by the Listri Villa Sammezzano, built in neo-Moorish style in the early twentieth century near Florence. The idea is good to save on the cost of a real scene, but then should make a director who knows how to properly fill the space and make the characters move in a manner consistent with the reference text. It is here that Sgarbi disappoint, because its director is a static narrative that lives only a few thrills than a story known to overflowing and sculpted by music of extraordinary modernity which is that Straussian. The seduction scene with what should be a duet from "hot spirits" between Salomé and Jochanaan (John the Baptist) is revived in a rather detached and conventional, with erotic would say insignificant. The moment of the dance of seven veils with the canon of the final strip princess is also vilified by his natural sensuality: Salome does not dance, or strips, but they do so in its place a fortnight scollacciate dancers, choreographed by making use of valuable Isa Traversi. The twists at the end, they are basically just two: the presence illuminated by a bull's-eye of a judge-a woman in a proscenium stage (it is the "dreaded" Boccassini?) And the two heads on separate trays of 'Silver, one of the Baptist, the other of the same Sgarbi, but that appears only in the final work to seal the signing self to a show that, indeed, puzzling, provocative, and political manipulation in part, on its theatrical effectiveness, although he had costumes designed with the usual outstanding professionalism from the likes of Oscar Franca Squarciapino. Definitely the better way, in our opinion, the musical performance with a great experience as a manager Ralf Weikert, who oversaw the work difficult for an orchestra like the Petruzzelli, composed mainly of young and talented musicians in their Strauss first. Passed another examination, therefore, also in view of the American trip in Washington on 17 March. Accurate, as we said at the beginning, especially the vocal cast, scenically penalized by the director, who saw, in particular, stand out the beautiful marble Korean interpretation of Samuel Youn (Jochanaan), valid evidence of good Swedish Erika Sunnegardh (Salome) and Katja Lytting (Herodias), as excellent stature was the Herod Scott Macallister, recently applauded in Bari in Siegfried Wagner's tetralogy, which will be completed in October with "The Twilight of the Gods", always Petruzzelli.
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Saturday, March 5, 2011
Josh Hutcherson Boxer Scandal
Venice in March is for women and happiness
's not only Carnival time in beautiful Veneiza, but will also "Women's March," a months in the name of happiness and the female protagonist, the one on Friday morning at Ca 'Doublets in a press conference, promoted by the Women's Center of the City of Venice, in collaboration with associations and women groups in the municipality. Have occurred, among others, the city councilor to the citizenship of women, Tiziana Agostini, and the head of the Women's Center, Gabriela Camozzi. "It 's important to be able to write a' gender dimension '- said Councillor Agostini - and refocusing the debate on the subject of women. Venice is a city where women are the protagonists, but at national level the dimension of female is not as valued. Our society has not yet fully understood the importance of women: we are people who know how to live well, be happy, and we want the other half of the sky to learn from us. "The program of" Women's March 2011 "- shown in first person by representatives of many associations and groups that have developed - is full of action (less than 19 and all free), ranging from sports of the 13. Women's race (Sunday, March 8, at 11), Benedetto Marcello Conservatory of music with "Homage the woman "(Saturday, March 12, at 18 with a concert contralto Bragadin John said, the picture is dedicated to the famous singer Barbara Strozzi), with two events of the poem" Poetry and Contemplation "(Friday 11 and Sunday, March 27 at St. Helena), teaching with the Internet Center of Marghera, the University of the Third Age, and Ca 'Foscari (Friday, March 25, 14.30, Barter classroom, opening of "Archives and records migrant writers "), theater (performances and workshops, such as" Silence and waiting for women to Edward Hopper "at the Civic Centre via Sernaglia Mestre), the debates, as against the use of degrading women's bodies in advertising" , scheduled at the Candiani Friday, March 25, at 9, and sponsored by EDU. "What made this year, despite the undeniable economic problems, is a richer and more plural than in 2010 - has spiegato Camozzi - con il quale vogliamo raggiungere e 'contaminare' quanti più luoghi cittadini, quante più donne e soprattutto uomini possibili, magari giovani. Alcune iniziative sono pensate proprio per loro, come la presentazione di "Dita di dama" al Candiani martedì 29 marzo, con i ragazzi dello Spritz letterario del liceo Morin. La grande mobilitazione del 13 febbraio scorso - ha concluso Camozzi - oltre ad aver dimostrato il fondamentale ruolo che le donne hanno nella nostra società, è servita anche a rimettere in gioco i grandi temi che ci riguardano da vicino, come il lavoro, il diritto allo studio, la maternità, la conciliazione dei tempi del lavoro e della famiglia".
Tra gli appuntamenti si ricorda anche quello alla House of female prison to the Giudecca, with the sight of Linda Bobbo (not open to the public), the presentation of the book "The roots of inequality" of the Feltrinelli Tiziana Agostini Mestre, Thursday, March 10, and finally "We set the budget five years of the Equal Opportunities Committee of the City of Venice, "Thursday, March 24, at 11:30, at Ca 'Doubleday. The highlight will be the show "Bricola and Queen" at the Teatro Momo Mestre, Tuesday, March 8 at 18.30. The complete program is available on site www.comune.venezia.it / c and women.
's not only Carnival time in beautiful Veneiza, but will also "Women's March," a months in the name of happiness and the female protagonist, the one on Friday morning at Ca 'Doublets in a press conference, promoted by the Women's Center of the City of Venice, in collaboration with associations and women groups in the municipality. Have occurred, among others, the city councilor to the citizenship of women, Tiziana Agostini, and the head of the Women's Center, Gabriela Camozzi. "It 's important to be able to write a' gender dimension '- said Councillor Agostini - and refocusing the debate on the subject of women. Venice is a city where women are the protagonists, but at national level the dimension of female is not as valued. Our society has not yet fully understood the importance of women: we are people who know how to live well, be happy, and we want the other half of the sky to learn from us. "The program of" Women's March 2011 "- shown in first person by representatives of many associations and groups that have developed - is full of action (less than 19 and all free), ranging from sports of the 13. Women's race (Sunday, March 8, at 11), Benedetto Marcello Conservatory of music with "Homage the woman "(Saturday, March 12, at 18 with a concert contralto Bragadin John said, the picture is dedicated to the famous singer Barbara Strozzi), with two events of the poem" Poetry and Contemplation "(Friday 11 and Sunday, March 27 at St. Helena), teaching with the Internet Center of Marghera, the University of the Third Age, and Ca 'Foscari (Friday, March 25, 14.30, Barter classroom, opening of "Archives and records migrant writers "), theater (performances and workshops, such as" Silence and waiting for women to Edward Hopper "at the Civic Centre via Sernaglia Mestre), the debates, as against the use of degrading women's bodies in advertising" , scheduled at the Candiani Friday, March 25, at 9, and sponsored by EDU. "What made this year, despite the undeniable economic problems, is a richer and more plural than in 2010 - has spiegato Camozzi - con il quale vogliamo raggiungere e 'contaminare' quanti più luoghi cittadini, quante più donne e soprattutto uomini possibili, magari giovani. Alcune iniziative sono pensate proprio per loro, come la presentazione di "Dita di dama" al Candiani martedì 29 marzo, con i ragazzi dello Spritz letterario del liceo Morin. La grande mobilitazione del 13 febbraio scorso - ha concluso Camozzi - oltre ad aver dimostrato il fondamentale ruolo che le donne hanno nella nostra società, è servita anche a rimettere in gioco i grandi temi che ci riguardano da vicino, come il lavoro, il diritto allo studio, la maternità, la conciliazione dei tempi del lavoro e della famiglia".Tra gli appuntamenti si ricorda anche quello alla House of female prison to the Giudecca, with the sight of Linda Bobbo (not open to the public), the presentation of the book "The roots of inequality" of the Feltrinelli Tiziana Agostini Mestre, Thursday, March 10, and finally "We set the budget five years of the Equal Opportunities Committee of the City of Venice, "Thursday, March 24, at 11:30, at Ca 'Doubleday. The highlight will be the show "Bricola and Queen" at the Teatro Momo Mestre, Tuesday, March 8 at 18.30. The complete program is available on site www.comune.venezia.it / c and women.
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4 Section Laundry Hamper
"Claudio Scimone and EurOrchestra Bari: A night to remember "Corrado Roselli
"Thursday 3 marzo alle 21 il pubblico barese presente nella Basilica di San Nicola ha avuto la fortuna di apprezzare il seducente carisma di un direttore d’orchestra che tutto il mondo ci invidia: Claudio Scimone.
Fondatore e direttore de “I Solisti Veneti”, Scimone ha diretto molte delle orchestre più prestigiose a livello internazionale. Tra i numerosi premi ricevuti, ricordiamo il Grammy di Los Angeles, il Grand Prix du Disque dell’Academie Charles Cros di Parigi e l’Elisabeth Memorial Medal di Londra. Dal Presidente della Repubblica Italiana ha ricevuto l’onorificenza di Cavaliere di Gran Croce al merito della Repubblica e la Medaglia d’Oro dei benemeriti della scuola, dell’arte e della cultura.
L’elenco has enriched its awards the International Prize "Notes Olympus 2011" on Thursday evening was delivered by the President (Maestro Francesco Lentini) and the Artistic Director (Prof. Angela Montemurro) dell'EurOrchestra Chamber Bari, on the following grounds: "This award is to be a public witness to what in the world, we need to turn our gaze ever upward, illuminating the path to becoming noble figures, which enhance the union of love for Life with the Values \u200b\u200bof Music and Culture ". The Maestro Scimone, but with a few incisive words, thanked everyone for the award, pointing out that returning to lead in our Church after 50 years (April 1961): sign, that of a particular good will of St. Nicholas to him! But the most intense moment of the evening was the concert he conducted with impeccable and precise movement, disguised as a playful and serene lightness: the elements of who knows what the composer asks the performer, suggesting but not requiring, the solution better. The orchestra, including this writer who has been part as a violinist, was completely bewitched by the clarity of musical ideas and the fascinating and versatile artistic personality Scimone. In the first part the protagonist was Beethoven, with the wonderful Concerto op. 61 for violin and Orchestra in D Major, one of his most mellow and romantic, culminating in the famous final rondo and particular. Great performer he was the violinist Michael Lentini, who has made the right sweetness of sound, combined with a convincing phrasing, even in more complex technical passages, always resolved with remarkable skill: a very difficult job, taking into account the hands frozen by suffered great cold in the Basilica! The musician gave the audience an encore, the Sarabande from the Second Partita for solo violin by Bach. The concert ended with the Symphony in C major No. 60 "The Distracted" by Haydn, in which the director, Maestro Scimone, entertained the audience with her "Distractions" to consummate actor. Last bis orchestra was "Earthquake", from "The Seven Last Words of Christ" by Haydn. "CORRADO ROSELLI
"Thursday 3 marzo alle 21 il pubblico barese presente nella Basilica di San Nicola ha avuto la fortuna di apprezzare il seducente carisma di un direttore d’orchestra che tutto il mondo ci invidia: Claudio Scimone.Fondatore e direttore de “I Solisti Veneti”, Scimone ha diretto molte delle orchestre più prestigiose a livello internazionale. Tra i numerosi premi ricevuti, ricordiamo il Grammy di Los Angeles, il Grand Prix du Disque dell’Academie Charles Cros di Parigi e l’Elisabeth Memorial Medal di Londra. Dal Presidente della Repubblica Italiana ha ricevuto l’onorificenza di Cavaliere di Gran Croce al merito della Repubblica e la Medaglia d’Oro dei benemeriti della scuola, dell’arte e della cultura.
L’elenco has enriched its awards the International Prize "Notes Olympus 2011" on Thursday evening was delivered by the President (Maestro Francesco Lentini) and the Artistic Director (Prof. Angela Montemurro) dell'EurOrchestra Chamber Bari, on the following grounds: "This award is to be a public witness to what in the world, we need to turn our gaze ever upward, illuminating the path to becoming noble figures, which enhance the union of love for Life with the Values \u200b\u200bof Music and Culture ". The Maestro Scimone, but with a few incisive words, thanked everyone for the award, pointing out that returning to lead in our Church after 50 years (April 1961): sign, that of a particular good will of St. Nicholas to him! But the most intense moment of the evening was the concert he conducted with impeccable and precise movement, disguised as a playful and serene lightness: the elements of who knows what the composer asks the performer, suggesting but not requiring, the solution better. The orchestra, including this writer who has been part as a violinist, was completely bewitched by the clarity of musical ideas and the fascinating and versatile artistic personality Scimone. In the first part the protagonist was Beethoven, with the wonderful Concerto op. 61 for violin and Orchestra in D Major, one of his most mellow and romantic, culminating in the famous final rondo and particular. Great performer he was the violinist Michael Lentini, who has made the right sweetness of sound, combined with a convincing phrasing, even in more complex technical passages, always resolved with remarkable skill: a very difficult job, taking into account the hands frozen by suffered great cold in the Basilica! The musician gave the audience an encore, the Sarabande from the Second Partita for solo violin by Bach. The concert ended with the Symphony in C major No. 60 "The Distracted" by Haydn, in which the director, Maestro Scimone, entertained the audience with her "Distractions" to consummate actor. Last bis orchestra was "Earthquake", from "The Seven Last Words of Christ" by Haydn. "CORRADO ROSELLI
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Friday, March 4, 2011
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presented in Rome the Salome of Richard Strauss, with the (provocative?) directed by Vittorio Sgarbi Petruzzelli
Yesterday morning, at the headquarters at the Hotel National Rome, director Vittorio Sgarbi (pictured), the mayor of Bari and President "pro tempore" of the Foundation Petruzzelli, Michele Emiliano, and the superintendent of the Foundation Petruzzelli Giandomenico Vaccari, have officially introduced the "Salome" by Richard Strauss, scheduled to Teatro Petruzzelli of Bari Sunday, March 6 at 8:00 p.m., Tuesday, March 8 Thursday, March 10 at 20.30 and 20.30. "The Foundation Petruzzelli - said Michele Emiliano - could be likened to an infant who fight bravely to defend his young life. Our theater is reborn, he lives and moves through the efforts of its workers and the entire city, despite the difficult chapter in our country's culture. Working with Vittorio Sgarbi is an opportunity for us, just for his artistic sensibility and his love for the art world which emerges in this remarkable performance. Concerned about his provocative? Maybe a little ', to be sure we will see some good. " "This is the first Once the Salome will be performed at the Teatro Petruzzelli .- said Superintendent-Vaccari A challenge for our young and good orchestral ensemble led by Ralf Weikert. Is a crucial step in the history of music in the history of art and design space. So we've given to Vittorio Sgarbi, the task of designing and creating that space. " "The Petruzzelli - Sgarbi said - was one of the dominant themes of my government action. Its reopening, with a restoration so attentive, it was an achievement for the whole country. Sign this direction, as an innovative idea that the communities in an area strongly evocative of a real place, it was for gives me great pleasure. Thanks to the genius of the set designer Ezio Frigerio, a masterpiece will live on stage as the Castle of San Mezzano, through multi-media projections, which has nothing to envy the beautiful Alhambra in Granada. Our vision of the famous dance of seven veils will see 19 girls on stage dressed in beautiful costumes of the cut created by eastern Franca Squarciapino. An erotic dance, choreographed by Isa sensual Traversi. In the game stage opera love, passion, blood, death, processes will merge with great charm. " Will conduct the Orchestra of the Fondazione Petruzzelli master Ralf Weikert, to healing the scenes Ezio Frigerio, Franca Squarciapino costumes, the choreography Isa Traversi, the lighting design Gianni Mantovanini. In the role of Herod sings Scott Mac Allister, Katja Lytting will Herodias, Salome will be played by Erika Sunnegårdh, Samuel Youn (Jochanaan), Eric Fennell (Narraboth) and Stefanie Irányi (a page of Herodias) complete the cast of voice actors. Followed by five Jews will be interpreted by Aldo Ursu, Alexander Kaimbacher, Feltracco Antonio, Michael D'Abundo and Carlo Di Cristoforo, Aleksey Yakymov and Rogelio Marin (Two Nazarenes), the two soldiers will be interpreted by Aleksey Yakymov and Paul Battaglia, Carlo Crisfoforo of (man of Cappadocia), Marco De Carolis (a slave). Assistant director Cynthia Gangarella, assistant set designer Oscar Cafaro. Tickets on sale at the ticket office of the Teatro Petruzzelli or www.bookingshow.com. Infopoint: 080.975.28.40.
Yesterday morning, at the headquarters at the Hotel National Rome, director Vittorio Sgarbi (pictured), the mayor of Bari and President "pro tempore" of the Foundation Petruzzelli, Michele Emiliano, and the superintendent of the Foundation Petruzzelli Giandomenico Vaccari, have officially introduced the "Salome" by Richard Strauss, scheduled to Teatro Petruzzelli of Bari Sunday, March 6 at 8:00 p.m., Tuesday, March 8 Thursday, March 10 at 20.30 and 20.30. "The Foundation Petruzzelli - said Michele Emiliano - could be likened to an infant who fight bravely to defend his young life. Our theater is reborn, he lives and moves through the efforts of its workers and the entire city, despite the difficult chapter in our country's culture. Working with Vittorio Sgarbi is an opportunity for us, just for his artistic sensibility and his love for the art world which emerges in this remarkable performance. Concerned about his provocative? Maybe a little ', to be sure we will see some good. " "This is the first Once the Salome will be performed at the Teatro Petruzzelli .- said Superintendent-Vaccari A challenge for our young and good orchestral ensemble led by Ralf Weikert. Is a crucial step in the history of music in the history of art and design space. So we've given to Vittorio Sgarbi, the task of designing and creating that space. " "The Petruzzelli - Sgarbi said - was one of the dominant themes of my government action. Its reopening, with a restoration so attentive, it was an achievement for the whole country. Sign this direction, as an innovative idea that the communities in an area strongly evocative of a real place, it was for gives me great pleasure. Thanks to the genius of the set designer Ezio Frigerio, a masterpiece will live on stage as the Castle of San Mezzano, through multi-media projections, which has nothing to envy the beautiful Alhambra in Granada. Our vision of the famous dance of seven veils will see 19 girls on stage dressed in beautiful costumes of the cut created by eastern Franca Squarciapino. An erotic dance, choreographed by Isa sensual Traversi. In the game stage opera love, passion, blood, death, processes will merge with great charm. " Will conduct the Orchestra of the Fondazione Petruzzelli master Ralf Weikert, to healing the scenes Ezio Frigerio, Franca Squarciapino costumes, the choreography Isa Traversi, the lighting design Gianni Mantovanini. In the role of Herod sings Scott Mac Allister, Katja Lytting will Herodias, Salome will be played by Erika Sunnegårdh, Samuel Youn (Jochanaan), Eric Fennell (Narraboth) and Stefanie Irányi (a page of Herodias) complete the cast of voice actors. Followed by five Jews will be interpreted by Aldo Ursu, Alexander Kaimbacher, Feltracco Antonio, Michael D'Abundo and Carlo Di Cristoforo, Aleksey Yakymov and Rogelio Marin (Two Nazarenes), the two soldiers will be interpreted by Aleksey Yakymov and Paul Battaglia, Carlo Crisfoforo of (man of Cappadocia), Marco De Carolis (a slave). Assistant director Cynthia Gangarella, assistant set designer Oscar Cafaro. Tickets on sale at the ticket office of the Teatro Petruzzelli or www.bookingshow.com. Infopoint: 080.975.28.40. src="http://pagead2.googlesyndication.com/pagead/show_ads.js">
Thursday, March 3, 2011
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for Tomorrow in the Library of D'Addosio Capurso (BA) has set Alex Romanelli Alceste Ayroldi to "his" Disco * Ideal
"The Youth Politics, Culture and Sport and Local Marketing in the person of the City of Councillor Michele Capurso Laricchia and Marisabel Prigigallo, city councilors delegated the coordination of the Library "GD'Addosio" presents "The Writer played" exhibition curated and designed by Alceste Ayroldi, professor and music critic. The cycle of meetings will be open tomorrow, Friday, March 4 (19.00, Biblioteca Comunale GD'Addosio Capurso) with the writer, music critic and journalist Alex Romanelli who will present his latest work published on the e-book "My ideal club" (ed. Leggereleggere, Milan, 2010). A veritable anthology of critical cards on more than 100 interpretations of the most successful, compositions of classical music recorded on compact disc. The methodological approach chosen should not be deceived: this book absolutely does not want to be a systematic recordings of all (or almost) musical compositions existing main, but simply want to suggest to those who want the idea of \u200b\u200bcreating, through the purchase of the engravings analyzed here, a considerable wealth of interpretations of great value and recognized. It wants to represent for those who approach for the first time in this fascinating world, a guide handy and easy to read in the vast and often very complex panorama of classical music. The author was born in 1963 and lives in Bari is concerned with music criticism and journalism since 1983, when he began collaborating with the daily life of the regional "Puglia". He has also published four short biographies respectively Gustav Mahler, Anton Bruckner, Johannes Brahms and Tchaikovsky Piotr Il'ijc it is also very active on the Internet, where in the last decade has worked to create some blogs and portals of success on the Net ("The Musicante.net" together with the composer and pianist Andrew Abruzzese Paul and "The Ear of Dionysus") dedicated mainly to classical music, contemporary and opera. He has collaborated with music conservatories, opera houses, music associations, publishers and many newspapers and news magazines, among which are "Roma", "Corriere del Mezzogiorno", "Barisera", "counterpoint", "Nelmes "and" LSD Magazine. The author will make use of audio / video to be distributed and screened in room. The meeting will be moderated by the artistic coordinator of the event, Alceste Ayroldi. The appointment Tomorrow will be preceded by an exhibition of Divietodisosta Duo, consisting of Philip Constantinou (vocals) and Franco Vingiano (guitar), who will present their repertoire of songs. The next event is scheduled for Friday, March 11 with the writer and music critic Flavio Caprera who will present his latest work "Jazz 101" (ed.Piccola Biblioteca Oscar Mondadori), with Mino Lacirignola Jazz Band. * (Taken from the online portal "Puglialive.net, March 3, 2011)
"The Youth Politics, Culture and Sport and Local Marketing in the person of the City of Councillor Michele Capurso Laricchia and Marisabel Prigigallo, city councilors delegated the coordination of the Library "GD'Addosio" presents "The Writer played" exhibition curated and designed by Alceste Ayroldi, professor and music critic. The cycle of meetings will be open tomorrow, Friday, March 4 (19.00, Biblioteca Comunale GD'Addosio Capurso) with the writer, music critic and journalist Alex Romanelli who will present his latest work published on the e-book "My ideal club" (ed. Leggereleggere, Milan, 2010). A veritable anthology of critical cards on more than 100 interpretations of the most successful, compositions of classical music recorded on compact disc. The methodological approach chosen should not be deceived: this book absolutely does not want to be a systematic recordings of all (or almost) musical compositions existing main, but simply want to suggest to those who want the idea of \u200b\u200bcreating, through the purchase of the engravings analyzed here, a considerable wealth of interpretations of great value and recognized. It wants to represent for those who approach for the first time in this fascinating world, a guide handy and easy to read in the vast and often very complex panorama of classical music. The author was born in 1963 and lives in Bari is concerned with music criticism and journalism since 1983, when he began collaborating with the daily life of the regional "Puglia". He has also published four short biographies respectively Gustav Mahler, Anton Bruckner, Johannes Brahms and Tchaikovsky Piotr Il'ijc it is also very active on the Internet, where in the last decade has worked to create some blogs and portals of success on the Net ("The Musicante.net" together with the composer and pianist Andrew Abruzzese Paul and "The Ear of Dionysus") dedicated mainly to classical music, contemporary and opera. He has collaborated with music conservatories, opera houses, music associations, publishers and many newspapers and news magazines, among which are "Roma", "Corriere del Mezzogiorno", "Barisera", "counterpoint", "Nelmes "and" LSD Magazine. The author will make use of audio / video to be distributed and screened in room. The meeting will be moderated by the artistic coordinator of the event, Alceste Ayroldi. The appointment Tomorrow will be preceded by an exhibition of Divietodisosta Duo, consisting of Philip Constantinou (vocals) and Franco Vingiano (guitar), who will present their repertoire of songs. The next event is scheduled for Friday, March 11 with the writer and music critic Flavio Caprera who will present his latest work "Jazz 101" (ed.Piccola Biblioteca Oscar Mondadori), with Mino Lacirignola Jazz Band. * (Taken from the online portal "Puglialive.net, March 3, 2011) src="http://pagead2.googlesyndication.com/pagead/show_ads.js">
What To Do When 7 Week Old Puppies Vomit Yellow
Counterpoints on an open letter to the painter Michael Damiani Maestro Riccardo Muti *
" Dear Maestro Muti, the news of his illness on the podium of Chicago, at first , we were very upset. But after a while we thought that everything would be for the better. And how could it be otherwise? All the beauty of music that has given us, that you have given the world, would help her. In one of his novels, the writer Paul Maurensig, "Canone inverso, 'she said to the protagonist as follows:" For a long time I thought of writing a story that has for the music player. It is well known that music can give great emphasis to a poem or play, sometimes make otherwise mundane sublime verses. But for me it is unlikely to evoke or suggest something dramatic. On the contrary, it is the safest refuge from the dramas of life. " We were wrong. You Gospel was easy. Our earth produces strong men such as olive proudly presents as cathedrals. Some men have the duty and obligation to be an example to other men. The genius is the daughter of intelligence and wisdom and passion. Today more than ever worth the life of his instructions, Master. In life as in art, what counts is the lightness of party discipline, passionate, creative freedom. Fixed points in a time dominated by the darkness of consciousness. Enjoyable reading his recent book "Before the music then the words," looks like a flying wing looking for a point where to stop. A pleasant journey into the world with the hopes and della musica. Un
viatico per il viaggiatore che trova e
prende per elargire. Un atto di fede un
esempio di vita, metafora dell’Amore
superiore. Un esempio da seguire mai
da imitare. È in atto nel mondo una operazione
ossessiva di demolizione della
bellezza, la distruzione sistematica dell’unico
valore che fa dell’uomo una
creatura altra, la Creatività.
Con l’auspicio che il suo soggiorno
americano sia il più confortevole possibile
nella colta Chicago, città delle cento
Università, l’aspettiamo al più presto
nella terra della Musica e non più del
silenzio.
Con un abbraccio grande dal Suo
Michele Damiani".
*(Tratto da "ContrAppunti", Marzo 2011)
" Dear Maestro Muti, the news of his illness on the podium of Chicago, at first , we were very upset. But after a while we thought that everything would be for the better. And how could it be otherwise? All the beauty of music that has given us, that you have given the world, would help her. In one of his novels, the writer Paul Maurensig, "Canone inverso, 'she said to the protagonist as follows:" For a long time I thought of writing a story that has for the music player. It is well known that music can give great emphasis to a poem or play, sometimes make otherwise mundane sublime verses. But for me it is unlikely to evoke or suggest something dramatic. On the contrary, it is the safest refuge from the dramas of life. " We were wrong. You Gospel was easy. Our earth produces strong men such as olive proudly presents as cathedrals. Some men have the duty and obligation to be an example to other men. The genius is the daughter of intelligence and wisdom and passion. Today more than ever worth the life of his instructions, Master. In life as in art, what counts is the lightness of party discipline, passionate, creative freedom. Fixed points in a time dominated by the darkness of consciousness. Enjoyable reading his recent book "Before the music then the words," looks like a flying wing looking for a point where to stop. A pleasant journey into the world with the hopes and della musica. Unviatico per il viaggiatore che trova e
prende per elargire. Un atto di fede un
esempio di vita, metafora dell’Amore
superiore. Un esempio da seguire mai
da imitare. È in atto nel mondo una operazione
ossessiva di demolizione della
bellezza, la distruzione sistematica dell’unico
valore che fa dell’uomo una
creatura altra, la Creatività.
Con l’auspicio che il suo soggiorno
americano sia il più confortevole possibile
nella colta Chicago, città delle cento
Università, l’aspettiamo al più presto
nella terra della Musica e non più del
silenzio.
Con un abbraccio grande dal Suo
Michele Damiani".
*(Tratto da "ContrAppunti", Marzo 2011)
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tonight in the great Basilica of San Nicola Claudio Scimone dall'EurOrchestra will be awarded to Bari Bari
Tonight, at 21.00, the Basilica of San Nicola will be the picturesque setting to the expected return in Puglia renowned conductor Claudio Scimone Padua (pictured), who will lead the EurOrchestra Chamber of Bari in the performance of Concerto for Violin and Orchestra in D major op. 61 by Ludwig van Beethoven (solo violinist Michael Lentini) and Symphony No. 60 in C major, called "Distracted" by Franz Joseph Haydn. Scimone will be awarded during the evening of the International Prize "NOTES IN 'Olimpo - the Department of Music of Our Time" award, now in its seventh edition, is born each year to offer recognition to artistic figures in the course of his career have distinguished themselves in their efforts to increase international musical culture. Not fail in the gallery of winning a world-class character as Claudio Scimone, a real monster sacred and ambassador, together with the greatest vocal ensembles, the Italian music in the world that during a fifty-year career has brought the name ultra Italy on the most prestigious venues on five continents, placing the spotlight of international public pages and composers, among the least known of the Italian Baroque repertoire. Scimone, born in 1934, formed the great school teachers who now legendary Dmitri Mitropoulos and Franco Ferrara and was able to head for recordings and live performances prestigious teams such as the Royal Philharmonic Orchestra of London, the Yomiuri Nippon Symphony Orchestra Tokyo, Orchestre National de l'Opéra Monte Carlo and the Gulbenkian Orchestra of Lisbon, which is still honorary director, dealing with performers of the caliber of Sir James Galway, Salvatore Accardo, Uto Ughi, Ruggero Raimondi, José Carreras. But the ensemble to which the name is more closely linked Scimone is that he founded in 1959, I Solisti Veneti. The chamber orchestra in the last fifty years has reached unparalleled heights performance of the Italian Baroque repertoire, performed with modern instruments, becoming the interpreter of international reference the works of Antonio Vivaldi, Tomaso Albinoni, Benedetto Marcello and Giuseppe Tartini, receiving prestigious awards for live performances and numerous recordings record. The show opens on notes of the Concerto for Violin and Orchestra in D major op. 61, composed by Beethoven in 1806, and it is wonderful to witness one of the most fertile creative periods of the brilliant German composer. The concert unfolds in three movements (Allegro, Larghetto, Rondo: Allegro), and is characterized by long-distance dialogue between the violin soloist e l’orchestra, per un’opera di indubbio fascino, alla quale non hanno saputo resistere i maggiori violinisti del mondo: solista per l'occasione sarà Michelangelo Lentini.
La seconda parte della serata sarà incentrata sull’esecuzione della Sinfonia n. 60 in do maggiore, di Franz Joseph Haydn, terminata nel 1775, e soprannominata Il Distratto, ,in quanto riutilizza alcune parti musicali composte da Haydn per un’opera tratta da Le Distrait, di Jean-François Regnard: la sinfonia si articola in sei movimenti. Il concerto è a ingresso libero.
Associazione EurOrchestra da Camera di Bari/ infotel. 0805744559 /
www.eurorchestra.it - direzione@eurorchestra.it/
www.progettovallisa.it / info@progettovallisa.it
EurOrchestra è anche su Facebook.
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Tonight, at 21.00, the Basilica of San Nicola will be the picturesque setting to the expected return in Puglia renowned conductor Claudio Scimone Padua (pictured), who will lead the EurOrchestra Chamber of Bari in the performance of Concerto for Violin and Orchestra in D major op. 61 by Ludwig van Beethoven (solo violinist Michael Lentini) and Symphony No. 60 in C major, called "Distracted" by Franz Joseph Haydn. Scimone will be awarded during the evening of the International Prize "NOTES IN 'Olimpo - the Department of Music of Our Time" award, now in its seventh edition, is born each year to offer recognition to artistic figures in the course of his career have distinguished themselves in their efforts to increase international musical culture. Not fail in the gallery of winning a world-class character as Claudio Scimone, a real monster sacred and ambassador, together with the greatest vocal ensembles, the Italian music in the world that during a fifty-year career has brought the name ultra Italy on the most prestigious venues on five continents, placing the spotlight of international public pages and composers, among the least known of the Italian Baroque repertoire. Scimone, born in 1934, formed the great school teachers who now legendary Dmitri Mitropoulos and Franco Ferrara and was able to head for recordings and live performances prestigious teams such as the Royal Philharmonic Orchestra of London, the Yomiuri Nippon Symphony Orchestra Tokyo, Orchestre National de l'Opéra Monte Carlo and the Gulbenkian Orchestra of Lisbon, which is still honorary director, dealing with performers of the caliber of Sir James Galway, Salvatore Accardo, Uto Ughi, Ruggero Raimondi, José Carreras. But the ensemble to which the name is more closely linked Scimone is that he founded in 1959, I Solisti Veneti. The chamber orchestra in the last fifty years has reached unparalleled heights performance of the Italian Baroque repertoire, performed with modern instruments, becoming the interpreter of international reference the works of Antonio Vivaldi, Tomaso Albinoni, Benedetto Marcello and Giuseppe Tartini, receiving prestigious awards for live performances and numerous recordings record. The show opens on notes of the Concerto for Violin and Orchestra in D major op. 61, composed by Beethoven in 1806, and it is wonderful to witness one of the most fertile creative periods of the brilliant German composer. The concert unfolds in three movements (Allegro, Larghetto, Rondo: Allegro), and is characterized by long-distance dialogue between the violin soloist e l’orchestra, per un’opera di indubbio fascino, alla quale non hanno saputo resistere i maggiori violinisti del mondo: solista per l'occasione sarà Michelangelo Lentini. La seconda parte della serata sarà incentrata sull’esecuzione della Sinfonia n. 60 in do maggiore, di Franz Joseph Haydn, terminata nel 1775, e soprannominata Il Distratto, ,in quanto riutilizza alcune parti musicali composte da Haydn per un’opera tratta da Le Distrait, di Jean-François Regnard: la sinfonia si articola in sei movimenti. Il concerto è a ingresso libero.
Associazione EurOrchestra da Camera di Bari/ infotel. 0805744559 /
www.eurorchestra.it - direzione@eurorchestra.it/
www.progettovallisa.it / info@progettovallisa.it
EurOrchestra è anche su Facebook.
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Wednesday, March 2, 2011
Electric Box Iphone Level Solutions 19
Al BLUorG goes scene "I am writing from the clouds. Maria "by and with Carmela Vincenti
Dopo il convincente successo dello spettacolo nei mesi scorsi al Teatro Forma di Bari, da venerdì 11 marzo, alle ore 21.00, andrà in scena presso l'associazione culturale BLUorG lo spettacolo "Ti scrivo dalla nuvole. A Maria" di e con Carmela Vincenti, in replica sino al 27 marzo. Venerdì e sabato ore 21.00, domenica ore 18.30. Il progetto-spettacolo rivolge uno sguardo commosso sul rapporto artistico e umano fra Maria Callas e Pier Paolo Pasolini (insieme in una "curiosa" foto).
Per l'occasione sarà allestita una mostra di abiti e accessori originali, provenienti dal "patinato mondo" vissuto by Maria Callas, 1900 proposed by the Atelier of Bari Limited seating by reservation. For info and reservations: Associazione Culturale BLUorG / Via M. Celentano 92.94 70 121 Bari / email: info@bluorg.it / Infotel: 080.9904379
Dopo il convincente successo dello spettacolo nei mesi scorsi al Teatro Forma di Bari, da venerdì 11 marzo, alle ore 21.00, andrà in scena presso l'associazione culturale BLUorG lo spettacolo "Ti scrivo dalla nuvole. A Maria" di e con Carmela Vincenti, in replica sino al 27 marzo. Venerdì e sabato ore 21.00, domenica ore 18.30. Il progetto-spettacolo rivolge uno sguardo commosso sul rapporto artistico e umano fra Maria Callas e Pier Paolo Pasolini (insieme in una "curiosa" foto).
Per l'occasione sarà allestita una mostra di abiti e accessori originali, provenienti dal "patinato mondo" vissuto by Maria Callas, 1900 proposed by the Atelier of Bari Limited seating by reservation. For info and reservations: Associazione Culturale BLUorG / Via M. Celentano 92.94 70 121 Bari / email: info@bluorg.it / Infotel: 080.9904379
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Tuesday, March 1, 2011
Where Can I Buy A Strong Magnet
The Collegium Musicum of Bari resumes its season tonight at the Kursaal Santalucia
Tonight, at 20.45 at the Teatro Kursaal Santalucia Bari resume "The concerts of the Collegium Musicum" conducted by Maestro Rino Brown with the participation of Rosiello Marcello (baritone), Giuseppe Carabellese (cello), Angela Annese (piano) and the presence of exceptional Maestro Touvron Guy (trumpet), with music by A. Margon, JB Arban, C. Debussy, J. Francaix. Al concert will present the composer Maestro Alain Margoni and the poet Prof.Giovanni Dotoli. The press office of the ensemble Bari states that the concert this evening at the Kursaal was organized independently and without any collaboration with the "House of Music" (Sounds Puglia), which manages the facility. Sounds Puglia is therefore excluded from any possible liability on the merits.
Tonight, at 20.45 at the Teatro Kursaal Santalucia Bari resume "The concerts of the Collegium Musicum" conducted by Maestro Rino Brown with the participation of Rosiello Marcello (baritone), Giuseppe Carabellese (cello), Angela Annese (piano) and the presence of exceptional Maestro Touvron Guy (trumpet), with music by A. Margon, JB Arban, C. Debussy, J. Francaix. Al concert will present the composer Maestro Alain Margoni and the poet Prof.Giovanni Dotoli. The press office of the ensemble Bari states that the concert this evening at the Kursaal was organized independently and without any collaboration with the "House of Music" (Sounds Puglia), which manages the facility. Sounds Puglia is therefore excluded from any possible liability on the merits. src="http://pagead2.googlesyndication.com/pagead/show_ads.js">
Brown Hair Red Highlights
" disappointing in the Disney Vallisa in Jazz " RN *
"With great enthusiasm I got up to look at this concert. Maybe too many expectations, because, despite the well-known skill of each musician on stage, the concert never took off. After a first piece instrumental in where the three musicians were searching in vain for a reason amalgam without finding it, we find the voice of the singer that began shrieking and small blow "Cam fireplace, fireplace chimney sweep cam" that rather than a theme taken from the famous film Mary Poppins Disney animation, seemed to resemble a horror thriller music. A follow "Cruella de mon", another piece completely distorted by an arrangement which, as in the whole concert has hardly ever allowed musicians to create complicated relationship with the public and to initiate a process of listening pleasure. Always difficult and stunted early closures, was even to think that the four musicians had never tried together oppure che ci fosse la chiara intenzione di trasformare dei bei motivi delle tradizioni disneyane in qualcosa di oggettivamente brutto. Solo quando si è inserito il sax di Roberto Ottaviano, a concerto quasi finito, e solo quando sostituiva la voce, c’è stato un vago tentativo di coesione, subito decapitato dall’inserimento dei reiterati gridolini della cantante il cui senso musicale è risultato oggettivamente incomprensibile. Unico brano ascoltabile il forzato bis "A dream is a wish your heart makes" tratto da Cenerentola. Insomma un’occasione persa. Peccato. Poco il pubblico che ha applaudito. Le ultime file erano praticamente congelate, e non certo dal freddo meteorologico."
MARINA MILITARE
* "Disney in jazz" – Manosperti concert with Lisa (vocals), David Santorsola (piano), Fabio Dellefoglie (drums), Giorgio Vendola (bass). Guest Roberto Ottaviano (alto sax) - Review: "In the game of Jazz" - Vallisa Auditorium, February 25, 2011, Bari 21 hours.
"With great enthusiasm I got up to look at this concert. Maybe too many expectations, because, despite the well-known skill of each musician on stage, the concert never took off. After a first piece instrumental in where the three musicians were searching in vain for a reason amalgam without finding it, we find the voice of the singer that began shrieking and small blow "Cam fireplace, fireplace chimney sweep cam" that rather than a theme taken from the famous film Mary Poppins Disney animation, seemed to resemble a horror thriller music. A follow "Cruella de mon", another piece completely distorted by an arrangement which, as in the whole concert has hardly ever allowed musicians to create complicated relationship with the public and to initiate a process of listening pleasure. Always difficult and stunted early closures, was even to think that the four musicians had never tried together oppure che ci fosse la chiara intenzione di trasformare dei bei motivi delle tradizioni disneyane in qualcosa di oggettivamente brutto. Solo quando si è inserito il sax di Roberto Ottaviano, a concerto quasi finito, e solo quando sostituiva la voce, c’è stato un vago tentativo di coesione, subito decapitato dall’inserimento dei reiterati gridolini della cantante il cui senso musicale è risultato oggettivamente incomprensibile. Unico brano ascoltabile il forzato bis "A dream is a wish your heart makes" tratto da Cenerentola. Insomma un’occasione persa. Peccato. Poco il pubblico che ha applaudito. Le ultime file erano praticamente congelate, e non certo dal freddo meteorologico."MARINA MILITARE
* "Disney in jazz" – Manosperti concert with Lisa (vocals), David Santorsola (piano), Fabio Dellefoglie (drums), Giorgio Vendola (bass). Guest Roberto Ottaviano (alto sax) - Review: "In the game of Jazz" - Vallisa Auditorium, February 25, 2011, Bari 21 hours.
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Does The Scorpio Man Like To Flirt
Al Bari Franco Sebastiani Theatre Form directs the Coro Foundation Petruzzelli in Rossini's Petite Messe Solennelle
Petruzzelli The Foundation offers the third installment in the "Special Events non-subscription" ensemble dedicated to the art form that will take place at the Teatro di Bari Thursday, March 3 at 21.00, the Form Theatre, the Foundation Petruzzelli Chorus, conducted by Franco Sebastiani and accompanied on the piano and harmonium Lucia Basin da Adriana Mangione, eseguirà un programma dedicato alla Petite Messe Solennelle di Gioachino Rossini.
Solisti: Francesca Rinaldi (soprano), Concetta d’Alessandro (mezzosoprano), Aldo Caputo (tenore), Domenico Colaianni (bass bariton).
Interverrà Michele Emiliano, sindaco di Bari e presidente della Fondazione Petruzzelli.
Biglietti in vendita al botteghino del teatro Petruzzelli ed on-line su www.bookingshow.com
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Petruzzelli The Foundation offers the third installment in the "Special Events non-subscription" ensemble dedicated to the art form that will take place at the Teatro di Bari Thursday, March 3 at 21.00, the Form Theatre, the Foundation Petruzzelli Chorus, conducted by Franco Sebastiani and accompanied on the piano and harmonium Lucia Basin da Adriana Mangione, eseguirà un programma dedicato alla Petite Messe Solennelle di Gioachino Rossini.Solisti: Francesca Rinaldi (soprano), Concetta d’Alessandro (mezzosoprano), Aldo Caputo (tenore), Domenico Colaianni (bass bariton).
Interverrà Michele Emiliano, sindaco di Bari e presidente della Fondazione Petruzzelli.
Biglietti in vendita al botteghino del teatro Petruzzelli ed on-line su www.bookingshow.com
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Flashy Flashers Case
mendelssohniani concerts for the Orchestra of the Province of Bari, directed by Tania Morandini
Giovedì 3 marzo 2011 alle ore 21.00 presso il Teatro Rossini di Gioia del Colle l’Orchestra Sinfonica della Provincia di Bari si esibirà in un concerto interamente dedicato a Mendelssohn diretto dal Tania Morandini teacher (in the photo. Tickets go on sale the evening of the concert at the box office of Teatro Rossini. Infoline: 080.5412302). The concert will be repeated on Friday, March 4 at 21:00 at the Auditorium of the Salesians in Santeramo in Colle (free admission) and Saturday 5 March at 21:00 at the Basilica of San Nicola in Bari (free admission). The evening opens with a performance of 'Op 26 Overture, Fingal's Cave of Felix Mendelssohn Bartholdy (1809 - 1847). Composed around 1830, but revised several times over the next two years, this was inspired by Mendelssohn's Overture from a trip in the Scottish Highlands. In particular, after visiting the island the Staffa of Fingal's Cave - the father of Ossian in accordance with the English mythology - the author was so impressed by the sound of waves crashing on the mouth of the cave, they decided to reproduce the unique sound. Not surprisingly, the overture opens with a motif of the arches and wood that evokes the magic and lapping, in a sense, it dominates the entire duration of the composition. L'Ouverture was performed for the first time in London on May 14, 1832 under the leadership of Thomas Attwood. Maybe, then, the time of the "Dream of a midsummer night, suites from incidental music, Op. 61. Mendelssohn composed the suite op. 21 "A Midsummer Night's Dream Summer "at the age of 17 in 1826, on the basis of the enthusiasm felt after reading the homonymous work of Shakespeare. Then, re-use the same material to make the music scene of the work represented in July of '43 in Potsdam, commissioned by Frederick William IV of Prussia. On that occasion, Mendelssohn added thirteen new paintings are listed with opus number 61 / a. Absolute masterpiece for so young an author, describes the overture with a singular effect on the fantasy world as imagined by Shakespeare, starting from the four agreements delicate introduction, followed by a lift off the strings. The concert ends with the performance of the Symphony No 1 in C minor, Op. 11. Precocious musical talent, Mendelssohn composed his first symphony at age eleven in 1820 and four years later the number had increased to twelve. However, these works remained unpublished for a long time and then not included in the official catalog of compositions. An exception to this rule, although it is very close to the adolescent nature of previous symphonies, No 1 in C minor, Op. 11, composed in 1824, which, however, Mendelssohn initially attributed the number XIII.
Giovedì 3 marzo 2011 alle ore 21.00 presso il Teatro Rossini di Gioia del Colle l’Orchestra Sinfonica della Provincia di Bari si esibirà in un concerto interamente dedicato a Mendelssohn diretto dal Tania Morandini teacher (in the photo. Tickets go on sale the evening of the concert at the box office of Teatro Rossini. Infoline: 080.5412302). The concert will be repeated on Friday, March 4 at 21:00 at the Auditorium of the Salesians in Santeramo in Colle (free admission) and Saturday 5 March at 21:00 at the Basilica of San Nicola in Bari (free admission). The evening opens with a performance of 'Op 26 Overture, Fingal's Cave of Felix Mendelssohn Bartholdy (1809 - 1847). Composed around 1830, but revised several times over the next two years, this was inspired by Mendelssohn's Overture from a trip in the Scottish Highlands. In particular, after visiting the island the Staffa of Fingal's Cave - the father of Ossian in accordance with the English mythology - the author was so impressed by the sound of waves crashing on the mouth of the cave, they decided to reproduce the unique sound. Not surprisingly, the overture opens with a motif of the arches and wood that evokes the magic and lapping, in a sense, it dominates the entire duration of the composition. L'Ouverture was performed for the first time in London on May 14, 1832 under the leadership of Thomas Attwood. Maybe, then, the time of the "Dream of a midsummer night, suites from incidental music, Op. 61. Mendelssohn composed the suite op. 21 "A Midsummer Night's Dream Summer "at the age of 17 in 1826, on the basis of the enthusiasm felt after reading the homonymous work of Shakespeare. Then, re-use the same material to make the music scene of the work represented in July of '43 in Potsdam, commissioned by Frederick William IV of Prussia. On that occasion, Mendelssohn added thirteen new paintings are listed with opus number 61 / a. Absolute masterpiece for so young an author, describes the overture with a singular effect on the fantasy world as imagined by Shakespeare, starting from the four agreements delicate introduction, followed by a lift off the strings. The concert ends with the performance of the Symphony No 1 in C minor, Op. 11. Precocious musical talent, Mendelssohn composed his first symphony at age eleven in 1820 and four years later the number had increased to twelve. However, these works remained unpublished for a long time and then not included in the official catalog of compositions. An exception to this rule, although it is very close to the adolescent nature of previous symphonies, No 1 in C minor, Op. 11, composed in 1824, which, however, Mendelssohn initially attributed the number XIII.
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Monday, February 28, 2011
How To Cut Churdidar Pajama
On March 4, kicks off in Capurso (BA ) "The writer played", a series of four events designed by Alceste Ayroldi
The Youth Politics, Culture and Sport and the Territorial Marketing of the City of Capurso (BA) in the person and the Councillor Michael Laricchia Marisabel Prigigallo, city councilors delegated the coordination of the Library "GD'Addosio" presents "The Writer played" exhibition curated and designed by Alceste Ayroldi (pictured), professor and music critic. A journey through the music at the hands of literature that examine four different segments: a classical, jazz, folk music and rock. The goal is to give full voice distributed to that aspect of literary works by writers from Puglia or otherwise published by publishing houses of Puglia. Three authors from Puglia and a couple of automotive journalists whose work is edito da una storica casa editrice barese. Il tutto “condito” da live set tematici e/o supporti audio/video che possano anche condurre verso una guida all’ascolto dei temi trattati negli scritti. Ecco, quindi, l’idea del nome della rassegna: Lo Scrittore Suonato, fors’anche per il fatto che chi scrive di musica sposi idee e ideali dei musicisti trattati, fino a far suonare il libro e si immedesimi nel loro iperuranio artistico.
Ogni incontro si terrà presso la Biblioteca Comunale “G.D’Addosio” di Capurso (Ba), che ha trovato nuova linfa vitale grazie al fervido operare della consigliera comunale Marisabel Prigigallo, unitamente all’Assessore al ramo Michele Laricchia. Tutti gli appuntamenti will begin at 19.00 and entrance is free to be subject to availability. The cycle of meetings will open Friday, March 4 with the music critic and blogger Alex Romanelli who will present his latest work published on the e-book "My ideal club" (Leggereleggere ed., Milan, 2010). A veritable anthology of critical cards on more than 100 interpretations of the most successful, compositions of classical music recorded on compact disc. The methodological approach chosen for this job not be fooled: This e-book absolutely does not want to be a systematic recordings of all (or almost) musical compositions existing main, but simply want to suggest to those who want the idea of \u200b\u200bcreating, through the purchase of recordings analyzed here, a considerable wealth of interpretations of great value and recognized. It wants to represent for those who approach for the first time in this fascinating world, a guide handy and easy to read in the vast and often very complex panorama of classical music. The author will make use of audio / video to be distributed and screened in room. The meeting will be moderated by the artistic coordinator of the event, Alceste Ayroldi. Friday, March 11th will be the turn of the Afro-American music "Jazz 101" (ed. Piccola Biblioteca Oscar Mondadori) Flavio Caprera, born in Polignano a Mare, but living in Milan, is a journalist, writer and music critic. He has worked with the magazine and works with the webzine Jazzit Jazzconvention. In 2006 he published Jazz music, always with the publishing house Mondadori. A survey done by an expert in jazz that collects the "captive", indicating for each a song has become a legend. The reviews of the records, all accompanied by the reproduction of the cover, and the author's introductions are also a sweeping history of jazz, ideal introduction to this fascinating world, full of curiosity and news for all fans. The historical survey will be completed with a live music set of the Mino Lacirignola Ensemble. Will moderate the meeting and introduce Fabrizio Versienti, journalist and music critic of the Corriere del Mezzogiorno and Jazz Music. The third meeting will be devoted to popular music, especially with regard to Taranta, "Neo-Taranto and the Salento Pinch. Friday, March 18 (also at 19) will be one of the leading experts phenomena of popular-music historian and musicologist Gino Leonardo Di Mitri who will explain the roots and evolution through the dense editorial production on the subjects of the publisher of Besa Nardo (The ), all with the help of audio / video material and photographs that will be screened during the evening. Gino Leonardo Di Mitri, writer, historian and researcher of the Institute "Diego Carpitella" è autore di numerosi libri e articoli scientifici sugli argomenti.
Sarà presente, inoltre, uno stand illustrativo della Besa editrice. Live set a cura del chitarrista Filippo Consalvo.
La rassegna si chiuderà con la narrazione di un evento che ha segnato la storia della musica e, in particolare, la storia del rock mondiale: la presentazione de “Il tempo di Woodstock” di Ernesto Assante e Gino Castaldo (ed. Laterza). "Un biglietto d'entrata nella memoria costa solo 13 dollari. Basta trovarsi nei pressi della cittadina di Bethel, un'ora di macchina a nord di New York, e sarete attirati da cartelli che indicano una direzione e un nome che dopo quarant'anni manda ancora inaspettate scariche elettriche: Woodstock. Anzi per l'esattezza: Woodstock Museum. Such a thing could only happen in America. Who else could come in mind to build a museum dedicated to a concert? A concert ... An object immaterial, intangible, existed only in the flow time-space of three days. How is this possible? And most importantly, what was really Woodstock? Certainly much more than just a music festival. Let's say a singular history, a monument built in real time to a revolution that was crumbling in the space of a dream, and therefore necessarily intellectual work, which would not have been any physical evidence, an idea, an idea. It was a singularity? That is an extreme event, in which the normal laws of space-time undergo change only? Or simply the climax, the inevitable climax of excitement generation lasted a few years? "The meeting will complete the live set performed by guitarist Phil Consalvo and a reading of literary works that cross the hippies by the Academy of Performing Arts Unika Bari
The Youth Politics, Culture and Sport and the Territorial Marketing of the City of Capurso (BA) in the person and the Councillor Michael Laricchia Marisabel Prigigallo, city councilors delegated the coordination of the Library "GD'Addosio" presents "The Writer played" exhibition curated and designed by Alceste Ayroldi (pictured), professor and music critic. A journey through the music at the hands of literature that examine four different segments: a classical, jazz, folk music and rock. The goal is to give full voice distributed to that aspect of literary works by writers from Puglia or otherwise published by publishing houses of Puglia. Three authors from Puglia and a couple of automotive journalists whose work is edito da una storica casa editrice barese. Il tutto “condito” da live set tematici e/o supporti audio/video che possano anche condurre verso una guida all’ascolto dei temi trattati negli scritti. Ecco, quindi, l’idea del nome della rassegna: Lo Scrittore Suonato, fors’anche per il fatto che chi scrive di musica sposi idee e ideali dei musicisti trattati, fino a far suonare il libro e si immedesimi nel loro iperuranio artistico.Ogni incontro si terrà presso la Biblioteca Comunale “G.D’Addosio” di Capurso (Ba), che ha trovato nuova linfa vitale grazie al fervido operare della consigliera comunale Marisabel Prigigallo, unitamente all’Assessore al ramo Michele Laricchia. Tutti gli appuntamenti will begin at 19.00 and entrance is free to be subject to availability. The cycle of meetings will open Friday, March 4 with the music critic and blogger Alex Romanelli who will present his latest work published on the e-book "My ideal club" (Leggereleggere ed., Milan, 2010). A veritable anthology of critical cards on more than 100 interpretations of the most successful, compositions of classical music recorded on compact disc. The methodological approach chosen for this job not be fooled: This e-book absolutely does not want to be a systematic recordings of all (or almost) musical compositions existing main, but simply want to suggest to those who want the idea of \u200b\u200bcreating, through the purchase of recordings analyzed here, a considerable wealth of interpretations of great value and recognized. It wants to represent for those who approach for the first time in this fascinating world, a guide handy and easy to read in the vast and often very complex panorama of classical music. The author will make use of audio / video to be distributed and screened in room. The meeting will be moderated by the artistic coordinator of the event, Alceste Ayroldi. Friday, March 11th will be the turn of the Afro-American music "Jazz 101" (ed. Piccola Biblioteca Oscar Mondadori) Flavio Caprera, born in Polignano a Mare, but living in Milan, is a journalist, writer and music critic. He has worked with the magazine and works with the webzine Jazzit Jazzconvention. In 2006 he published Jazz music, always with the publishing house Mondadori. A survey done by an expert in jazz that collects the "captive", indicating for each a song has become a legend. The reviews of the records, all accompanied by the reproduction of the cover, and the author's introductions are also a sweeping history of jazz, ideal introduction to this fascinating world, full of curiosity and news for all fans. The historical survey will be completed with a live music set of the Mino Lacirignola Ensemble. Will moderate the meeting and introduce Fabrizio Versienti, journalist and music critic of the Corriere del Mezzogiorno and Jazz Music. The third meeting will be devoted to popular music, especially with regard to Taranta, "Neo-Taranto and the Salento Pinch. Friday, March 18 (also at 19) will be one of the leading experts phenomena of popular-music historian and musicologist Gino Leonardo Di Mitri who will explain the roots and evolution through the dense editorial production on the subjects of the publisher of Besa Nardo (The ), all with the help of audio / video material and photographs that will be screened during the evening. Gino Leonardo Di Mitri, writer, historian and researcher of the Institute "Diego Carpitella" è autore di numerosi libri e articoli scientifici sugli argomenti.
Sarà presente, inoltre, uno stand illustrativo della Besa editrice. Live set a cura del chitarrista Filippo Consalvo.
La rassegna si chiuderà con la narrazione di un evento che ha segnato la storia della musica e, in particolare, la storia del rock mondiale: la presentazione de “Il tempo di Woodstock” di Ernesto Assante e Gino Castaldo (ed. Laterza). "Un biglietto d'entrata nella memoria costa solo 13 dollari. Basta trovarsi nei pressi della cittadina di Bethel, un'ora di macchina a nord di New York, e sarete attirati da cartelli che indicano una direzione e un nome che dopo quarant'anni manda ancora inaspettate scariche elettriche: Woodstock. Anzi per l'esattezza: Woodstock Museum. Such a thing could only happen in America. Who else could come in mind to build a museum dedicated to a concert? A concert ... An object immaterial, intangible, existed only in the flow time-space of three days. How is this possible? And most importantly, what was really Woodstock? Certainly much more than just a music festival. Let's say a singular history, a monument built in real time to a revolution that was crumbling in the space of a dream, and therefore necessarily intellectual work, which would not have been any physical evidence, an idea, an idea. It was a singularity? That is an extreme event, in which the normal laws of space-time undergo change only? Or simply the climax, the inevitable climax of excitement generation lasted a few years? "The meeting will complete the live set performed by guitarist Phil Consalvo and a reading of literary works that cross the hippies by the Academy of Performing Arts Unika Bari
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Sunday, February 27, 2011
Sympathy Quotes For Sick Parent Quotes
Ramin Bahrami The pianist will play next Tuesday for the Chamber Music Bari
The next event for the Chamber is scheduled for March 1 at the Teatro Piccinni (20.45) with the young, but already well-known pianist Ramin Bahrami of Iran (in the picture ). The recital includes works by Bach, Haydn, Brahms and Beethoven. Ramin Bahrami is a graduate in piano in 1997 under the guidance of Maestro Piero Rattalino, achieving the highest honors at the Conservatory "G. Verdi "in Milan. He studied composition with Maestro Danilo Lorenzini. From 1993 she studied at the Piano Academy "Meet the Maestro" in Imola, where he continued studying with Maestro Piero Rattalino. And it is his teacher to describe the fundamental character: "Ramin Bahrami breaks down the music of Bach and reassembled in ways that are affected by a model Glenn Gould, not really resemble the model. I've taught him to bear the bit, but I have not tamed, and I hope that it remains as is. " For information and / or reservations please contact the offices of the Camerata Musicale Bari, Via Sparano 141 Infotel 080/5211908, Box Office c / o The Press, Piccinni Theatre Box Office and Bar in Via San Dona Flor Cognetti in Bari
The next event for the Chamber is scheduled for March 1 at the Teatro Piccinni (20.45) with the young, but already well-known pianist Ramin Bahrami of Iran (in the picture ). The recital includes works by Bach, Haydn, Brahms and Beethoven. Ramin Bahrami is a graduate in piano in 1997 under the guidance of Maestro Piero Rattalino, achieving the highest honors at the Conservatory "G. Verdi "in Milan. He studied composition with Maestro Danilo Lorenzini. From 1993 she studied at the Piano Academy "Meet the Maestro" in Imola, where he continued studying with Maestro Piero Rattalino. And it is his teacher to describe the fundamental character: "Ramin Bahrami breaks down the music of Bach and reassembled in ways that are affected by a model Glenn Gould, not really resemble the model. I've taught him to bear the bit, but I have not tamed, and I hope that it remains as is. " For information and / or reservations please contact the offices of the Camerata Musicale Bari, Via Sparano 141 Infotel 080/5211908, Box Office c / o The Press, Piccinni Theatre Box Office and Bar in Via San Dona Flor Cognetti in Bari src="http://pagead2.googlesyndication.com/pagead/show_ads.js">
Friday, February 25, 2011
I Like Touching Breasts
NASA: 500 million potentially inhabited planets
NASA Confirms: millions of planets could harbor life -
This time it is not fanciful assumptions about the existence of UFOs and aliens, this time NASA scientists are right to say that in our galaxy, at least 500 million planets may harbor alien life forms. The data, released on the official website of NASA, were collected by Professor William Borucki, chief scientist of the team active in the mission of space observation, "Kepler," the search for habitable planets.
Of the fifty billions of planets in our galaxy, the Milky Way, about 500 million could have conditions favorable for the development of life: this is what the scientist said during the annual conference of the American Association for the Advancement of Science, an assertion immediately taken up by the British newspaper Daily Mail.
Source 1: http://centroufologicotaranto.wordpress.com/2011/02/23/la-nasa-conferma-milioni-di-pianeti-potrebbero-ospitare-la-vita/
Source 2: http://kepler.nasa.gov/
NASA Confirms: millions of planets could harbor life -
This time it is not fanciful assumptions about the existence of UFOs and aliens, this time NASA scientists are right to say that in our galaxy, at least 500 million planets may harbor alien life forms. The data, released on the official website of NASA, were collected by Professor William Borucki, chief scientist of the team active in the mission of space observation, "Kepler," the search for habitable planets.
Of the fifty billions of planets in our galaxy, the Milky Way, about 500 million could have conditions favorable for the development of life: this is what the scientist said during the annual conference of the American Association for the Advancement of Science, an assertion immediately taken up by the British newspaper Daily Mail.
Source 1: http://centroufologicotaranto.wordpress.com/2011/02/23/la-nasa-conferma-milioni-di-pianeti-potrebbero-ospitare-la-vita/
Source 2: http://kepler.nasa.gov/
Pressure Point On Ankle To Start Period?
Retired Colonel: real UFO, but nothing Cover Up
Whether you believe it or not the existence of UFOs and extraterrestrial life, now comes forward a former U.S. Army colonel with the statements that could infuriate both sides.
John Alexander, a retired colonel, held clearance fit, he spent a quarter century to wander among people and information concerning UFO Cover Up el'ormai decades. His conclusion: not only is there any kind of hidden group, but there is also no cover up, UFO disclosure has already occurred on several levels over the years.
to the many people who expect the final statement from the U.S., or even from the Vatican, Alexander replied that in reality the information is gradually released by government officials who "accidentally" let slip some indiscretions. References such as the statement by President Harry Truman in 1950: "I can assure you that flying saucers, given that they exist, are not constructed by any power on Earth. "
" The disclosure has already occurred. "- Says Alexander - 'E' match with former Presidents Truman, Carter, Reagan and Gorbachev. I have stacks of documents in general, even the Soviets, who have repeatedly stated that the UFO phenomenon is real. My point is, how many times senior officials have come out and tell that UFOs are real? 'Said the' ex-colonel to AOL news. He added that he viewed that classified material is not classified and that information is now at 98% result, while what has transpired are not sources and methods used. Quote The Conference of the National Press Club in which several former soldiers have come forward who have claimed the involvement of nuclear bases with UFOs, but in those cases, it is difficult to manage the situation has not been open a real investigation.
74enne The former Green Beret, as well as the developer of weapons at Los Alamos, will attend the conference to be held in Scottsdale, Arizona from 23 (today) to 27 February, where he exhibited his point of view.
CUT Note: From the network stand out some considerations as mentioned in the conference at the end of the article will be "shocking" revelations. The CUT hoping to err strongly doubt this latest statement "Epochal" as that resonates at every international conference, to leave further consideration to 'users.
Source: http://centroufologicotaranto.wordpress.com/
Whether you believe it or not the existence of UFOs and extraterrestrial life, now comes forward a former U.S. Army colonel with the statements that could infuriate both sides.
John Alexander, a retired colonel, held clearance fit, he spent a quarter century to wander among people and information concerning UFO Cover Up el'ormai decades. His conclusion: not only is there any kind of hidden group, but there is also no cover up, UFO disclosure has already occurred on several levels over the years.
to the many people who expect the final statement from the U.S., or even from the Vatican, Alexander replied that in reality the information is gradually released by government officials who "accidentally" let slip some indiscretions. References such as the statement by President Harry Truman in 1950: "I can assure you that flying saucers, given that they exist, are not constructed by any power on Earth. "
" The disclosure has already occurred. "- Says Alexander - 'E' match with former Presidents Truman, Carter, Reagan and Gorbachev. I have stacks of documents in general, even the Soviets, who have repeatedly stated that the UFO phenomenon is real. My point is, how many times senior officials have come out and tell that UFOs are real? 'Said the' ex-colonel to AOL news. He added that he viewed that classified material is not classified and that information is now at 98% result, while what has transpired are not sources and methods used. Quote The Conference of the National Press Club in which several former soldiers have come forward who have claimed the involvement of nuclear bases with UFOs, but in those cases, it is difficult to manage the situation has not been open a real investigation.
74enne The former Green Beret, as well as the developer of weapons at Los Alamos, will attend the conference to be held in Scottsdale, Arizona from 23 (today) to 27 February, where he exhibited his point of view.
CUT Note: From the network stand out some considerations as mentioned in the conference at the end of the article will be "shocking" revelations. The CUT hoping to err strongly doubt this latest statement "Epochal" as that resonates at every international conference, to leave further consideration to 'users.
Source: http://centroufologicotaranto.wordpress.com/
Itchy Ear Itchy Palm'
The deaths of animals continue
February 4, 2011 - While most of the media does not spend more than a single word on the matter, in Italy and around the world constantly check numerous cases of mass deaths of fish and more. There will mention some successes in the last few days. The causes are various, but not for this do not deserve consideration, even the gravity of the situation is steadily increasing in some places pollution is so high that the ecosystem is destined to be destroyed completely if you do not take serious action soon.
Colombia. Fish deaths, the phenomenon is attributed to "the mysterious presence"
The case occurred in the village of El Llano, under the jurisdiction of the city of Barrancabermeja, which is located in northeastern Colombia, where, according to local media Many villagers last Friday spotted a UFO. The same people have found about 2,000 dead fish last week, after the strange flying object with a flashing light was seen flying over the region for a few seconds. Residents of a town in northeastern Colombia say about 2,000 fish were found dead last week after a strange flying object with flashing light was seen flying over the region for a few seconds. The case occurred in the village of El Llano, under the jurisdiction of the city of Barrancabermeja, where many villagers, according to local media last Friday, they spotted a UFO in the sky and soon after saw dead fish floating in the swamp , but unlike similar cases in which the fish died from lack of oxygen, this time what 'that has puzzled the people of El Llano is that the fish had burns. According to Magaly Gutierrez, head of a community organization, the phenomenon lasted about 20 secondi ed è stato visto da molte persone. La radio RCN ha detto che i residenti del villaggio nelle vicinanze di Ponte Sogamoso nel comune di Porto Wilches, hanno riferito di aver visto un oggetto rotondo volante con spostamento laterale e il giorno stesso è iniziata la moria dei pesci nel Llanito.
Il presidente dell’ Associazione Acquacoltori e Pescatori di El Llanito, Juan Tercero, ha detto che i pesci morti presentavano bruciature e avevano iniziato a galleggiare appena dopo la comparsa di “strane luci nella palude”, secondo le dichiarazioni pubblicate dal quotidiano Liberal Vanguardia di Bucaramanga. Le autorità ambientali di Barrancabermeja si sono spostati verso la palude per prelevare campioni da analizzare per capire cosa abbia caused the death of fish, according to RCN.
fish deaths in Lake Como
A sudden mortality of fishes of the lake. Several dozen of trout, carp, rudd and chub. In many people, including bystanders, have been noticed on the marina in front of the ice cream "Ceccato" on the lakeside of Como. A phenomenon which was followed by the presence of other fish in clear difficulty in breathing.
Almost as if there was no oxygen in that space of water. Firefighters and local health services, but also the technicians of the fishing industry of the province have been alerted in a frantic race against time to retrieve the dead fish and allow others to escape. Many have been recovered and taken elsewhere. From the first hypothesis circulated, the case would be put in close connection with the construction of the bulkhead is located a few meters away. And that would reduce not only the living space, but also the oxygenation of these fish.
fish deaths in Brazil
In the Pantanal region in Mato Grosso, Brazil, tens of thousands of fish floating on the river. The case according to the authorities is due to the large amount of ash in the water, which reduces the oxygen. More likely
poisoning would be generated by the decomposition of organic matter, a process that actually removes oxygen from the water.
fish deaths in Florida (USA)
I biologi della zona hanno dichiarato che la moria di pesci è stata causata dalla mancanza di ossigeno nell'acqua. I ricercatori escludono sia stata dovuta alla presenza di sostanze chimiche sparse nell'acqua e ai cambi repentini di temperature. Alcuni sostengono che certe specie di pesci si spostano in massa cercando zone d'acqua con elevate quantità d'ossigeno, e in rari casi, sbagliano luogo trovando al contrario zone carenti d'ossigeno, il chè spiegherebbe la numerosa moria.
Moria di uccelli in Nuova Zelanda
Centinaia di passeri cadono morti a Rotorua, in Nuova Zelanda, le cause sono ancora sospette. C'è chi pensa che la moria sia dovuta alla tempesta avuta nei giorni precedenti, or due to poisoning. Some locals have realized later that they were sparrows, because they initially were convinced that they were bats, given their strong presence in the area. Currently there are over 300 dead sparrows, in circumstances still unclear.
Colleferro: alarm mortality of calves, alerted the
Nas Is there poison in the land of Colleferro, 45 km from Rome. A Colleferro is warning about the pollution of the land is causing a massacre in the breeding of calves and lambs. Here, one or more substance, it would penetrate the contaminated soil so as to cause the slaughter of farm animals. Following the news and pictures reported by some newspapers of animals that "die in agony and foaming at the mouth", it is considered that there is a contamination of the territory that is leading to a serious situation for the animals, but also for the entire food chain, and potentially to humans. What was buried in the Valley of the bag for years?
exists in the area since 2005 a ban on slaughter and milk production, but also outside the boundaries imposed by the animals die of unexplained birth defects and cancer. Sometimes also seen in children. Raymond Fadden has buried more than 800 animals since 2005. All were born deformed, or foaming at the mouth, and died after less than a month of hardship. Two hundred of them died last year. His son, born in 2007, has a disability: "I look at my son and I see the same disease that now kills my animals." The relationship is everything to prove, but there is no doubt Raymond. Because he saw the "white matter" between the clods of the hill grazing his head: "When it snowed began to boil as it seemed she was frying." He is now in a hospital bed to treat a severe form of pneumonia. He tells his story from there, and speaks of illegal dumps in the hills around Colleferro. "They came at night with big trucks, at about 2:00 to 3:00 in the morning, unloaded everything and disappeared. In the morning there was only loose soil, but the carousel never ended. " Casertano example of industrial waste and the Neapolitan? Probably. Similar stories of the Sacco valley is full: Even the incinerator of the Valley of the Latins is suspected of burning all in the spreading toxic fumes and fine particles. But where does all this poison that contaminates the area? Among Colleferro and Frosinone, Latina on the road, there is a chemical and industrial centers of the largest in Italy. There is the Avio, industry specializing in the manufacture of rockets and missiles for use in space; is Simmel, former BDP, a manufacturer of weapons and ammunition, also tested to jump Quirra, the polygon Sardinian held responsible for half of the tumors dell’area. Oltre a decine di industrie, magazzini e stabilimenti chimici, che dagli anni ’60 ad oggi hanno scaricato scorie nel terreno e nell’acqua del fiume Sacco.L’agente chimico considerato responsabile del disastro eco-sanitario è impronunciabile: beta-esaclorocicloesano. Sostanza base del Lindano, pesticida largamente usato negli anni ’70 e ’80 e vietato, in quanto nocivo, nel 2001. Nel 2006 è stato dichiarato lo “stato di emergenza socio-economico-ambientale” per la Valle del Sacco, in seguito ad una interpellanza parlamentare: è tutt’ora attivo, ma la bonifica, ancora in corso, non dà i risultati sperati.
Sindaco e autorità sanitarie smentiscono All
"He invented everything that shepherd," thunders the first citizen of Colleferro Mario Caccamo, PDL: "I have never been contacted, I do not know anything about this history." Ensure that local health managers: "There were never recognized the exceptional cases of suspected disease or the presence of hazardous substances or particular, and has highlighted a not quite optimal management of the farm question." In short, the fault lies with the pastor not alarm the failure of which would be responsible for the ASL itself.
everyone protects his garden, but not the neighbor's field
And there is so careful that protects the teeth from slander. Lawyers City Council are considering whether to terminate the Rai - Monday night that he had appealed video Fadda prime time "for cause serious harm to the city with services aired without any contradiction, and therefore, according to the mayor," failing to make a just and proper public information ". Meanwhile, the toxins continue to flow into the bag, on its banks, fields, hills, grass pastures, in the air ...
10 major theories for birds and fish dead
Media Officers: Lightning, hail , in mid-air collisions, power lines and fireworks of New Year's Eve that caused trauma birds, disease or stress of cold water "instead for the fish. The thought of winged creatures caught by surprise, or having the "wrong" their flight model, it is very unlikely and in most of the tracks where they are roasted birds if they had been hit by lightning?
meteor showers: they may be indicative of a local shock wave.
New Madrid Fault: An earthquake can, according to data gathered on recent seismic activity along this fault line that runs along the middle section of the eastern United States. Add to this the disaster BP, which has scattered Corexit spots floating in the atmosphere to disperse the oil.
Experiments military government: A possible virus or the use of biological weapons on specific species. From an article by Paul Joseph Watson and Alex Jones The mortality of birds and fish is related to experiments conducted by the government, this hypothesis seems not only possible but would also have historical precedents in which the U.S. has already used chemical and biological weapons for deliberately infecting some enemy populations or sicken other unknown viruses released into the air, but now these tests exist. Other single episode sobering, is the way in which the dead birds were collected according to them "natural causes" in Arkansas (special suits, masks and equipment of all kinds). In addition, John Wheeler, high-level scientists, witnessed that the U.S. military used biochemical weapons to kill animals, this fact is now well aware of Russian Prime Minister Putin.
GMO bees and bats in sharp decline and the news that the multinational Monsanto has a home in Arkansas.
HAARP: Technology who studies through the ionosphere and the use of electromagnetic waves and resumed the search for the great Nikola Tesla, to generate possible climatic changes or natural disasters. The experiments made by HAARP is also associated with seismic events with global reach: December 26, 2002 Cyclone Zoe in Polynesia, 26 December 2003 earthquake in Iran, 26 December 2004 Indian Ocean tsunami. Not we go on if these numbers are the result of fantasy, conspiracy or just a coincidence, the fact is that playing with special forces of Nature, if it is not wanted, can be very dangerous. HAARP, born in 1992 but almost always ignored by the media, this time it was quoted by Corriere della Sera, as interesting hypotheses for these mysterious deaths of mass. Even if it has its headquarters in Gakona, Alaska, then to considerable distances by the strange phenomena have occurred, could still reach and influence the entire world, given that today there are several military installations scattered around the globe and with hidden antennas and large antennas, used to officially other purposes, but which can not be excluded, they can serve other purposes as well as a secret experiments.
Chemtrails: A system for spreading of pathogens, nano particles or toxic chemicals through use of aircraft in flight leading to loss of these offending substances leaving obvious traces of trails in the sky. To stay connected to our subject, reported the news of the strange death of a former military, which took place in January, which was about to blurt out the truth leaked compromising on military aircraft used in Iraq, which since 2003 transporting toxic substances and then "reworked" on the ground American base in the "Pine Bluff" in Arkansas. It seems that in a couple of occasions, Tankers of the U.S. Air Force (which issues the daily chemtrails) to Afghanistan, carrying a spray gun biochemistry (addressed to the people of Afghanistan by the use of nerve gas), have had problems and then the poison has been poured in the air and Arkansas River (hence the memory of 100,000 fish).
Weapons: Via satellite to create "natural disasters" tuned to specific frequencies.
Blue Beam: Project HAARP and as his counterpart, uses the natural energy present in the ionosphere as a visual and audible device.
Geomagnetic Changes: A series of tampering by man on Earth, magnetic storms or anomalies such as those of climate change the earth's crust and magnetic "or a magnetic north pole is migrating to Russia. In this regard, we cite an article in the Stampa.it The pole moves too quickly tilt in planes and birds on the closure of an airport runway in Tampa, Florida. Perhaps the memory of birds as important and worthy of attention, we must also recognize that a flock of birds that can no longer route for magnetic reasons, could also get every ounce of his own perhaps, but in this case the death of individual birds to be spread over a period of time much more extensive. In these episodes, however, the death of the flocks, or the cause that created it, it seems be concentrated in one place and at any given time. The manner of death of these birds then think more about the shapes of explosions in the air or of localized contamination. Therefore it would be interesting to investigate in the direction of the project or HAARP or the release of toxic substances by aircraft. But there should also be added to this theory that if blackbirds, doves and other birds, they use a particular meaning to move, if it were shown that the magnetic pole has moved 10 degrees in a short time, the birds are able feel the magnetism of "going crazy". Fracking: Several "Gas Companies" would be committed to a new process of hydraulic drilling called "fracking." In the United States are so polluted groundwater with chemicals, then saturating to get natural gas from the ground. Interestingly, the areas where this technique is applied, including the "Northern Italy", strangely coincide with the areas most affected by the die-offs in recent months and days.
Cloud: There are rumors that speak of an industry of chemical solvents, which was poured in water, a large quantity of chemical agents, poisonous and highly volatile. Once evaporated, having wiped out thousands of fish, it is fed into the atmosphere and is exterminating birds. It's like a toxic cloud that moves at high share across continents and released into the air or water, is capable of hitting an animal without a trace.
The purpose of this paper is to warn everyone, saying that these "theories" or "conspiracies" may or may not be guilty of these fish and bird die-offs around the globe, but you can not hide, however, who can see with your eyes, that the technology implemented and described here, are needed to spray poisons on earth, sky and sea or climate change, then this may be a fundamental part of a mechanism to offend the nature or cause, or intentionally no, slaughter of animals today and tomorrow people.
Source: http://freeondarevolution.blogspot.com/2011/02/le-morie-animali-continuano-nel.html
February 4, 2011 - While most of the media does not spend more than a single word on the matter, in Italy and around the world constantly check numerous cases of mass deaths of fish and more. There will mention some successes in the last few days. The causes are various, but not for this do not deserve consideration, even the gravity of the situation is steadily increasing in some places pollution is so high that the ecosystem is destined to be destroyed completely if you do not take serious action soon.
Colombia. Fish deaths, the phenomenon is attributed to "the mysterious presence"
The case occurred in the village of El Llano, under the jurisdiction of the city of Barrancabermeja, which is located in northeastern Colombia, where, according to local media Many villagers last Friday spotted a UFO. The same people have found about 2,000 dead fish last week, after the strange flying object with a flashing light was seen flying over the region for a few seconds. Residents of a town in northeastern Colombia say about 2,000 fish were found dead last week after a strange flying object with flashing light was seen flying over the region for a few seconds. The case occurred in the village of El Llano, under the jurisdiction of the city of Barrancabermeja, where many villagers, according to local media last Friday, they spotted a UFO in the sky and soon after saw dead fish floating in the swamp , but unlike similar cases in which the fish died from lack of oxygen, this time what 'that has puzzled the people of El Llano is that the fish had burns. According to Magaly Gutierrez, head of a community organization, the phenomenon lasted about 20 secondi ed è stato visto da molte persone. La radio RCN ha detto che i residenti del villaggio nelle vicinanze di Ponte Sogamoso nel comune di Porto Wilches, hanno riferito di aver visto un oggetto rotondo volante con spostamento laterale e il giorno stesso è iniziata la moria dei pesci nel Llanito.
Il presidente dell’ Associazione Acquacoltori e Pescatori di El Llanito, Juan Tercero, ha detto che i pesci morti presentavano bruciature e avevano iniziato a galleggiare appena dopo la comparsa di “strane luci nella palude”, secondo le dichiarazioni pubblicate dal quotidiano Liberal Vanguardia di Bucaramanga. Le autorità ambientali di Barrancabermeja si sono spostati verso la palude per prelevare campioni da analizzare per capire cosa abbia caused the death of fish, according to RCN.
fish deaths in Lake Como
A sudden mortality of fishes of the lake. Several dozen of trout, carp, rudd and chub. In many people, including bystanders, have been noticed on the marina in front of the ice cream "Ceccato" on the lakeside of Como. A phenomenon which was followed by the presence of other fish in clear difficulty in breathing.
Almost as if there was no oxygen in that space of water. Firefighters and local health services, but also the technicians of the fishing industry of the province have been alerted in a frantic race against time to retrieve the dead fish and allow others to escape. Many have been recovered and taken elsewhere. From the first hypothesis circulated, the case would be put in close connection with the construction of the bulkhead is located a few meters away. And that would reduce not only the living space, but also the oxygenation of these fish.
fish deaths in Brazil
In the Pantanal region in Mato Grosso, Brazil, tens of thousands of fish floating on the river. The case according to the authorities is due to the large amount of ash in the water, which reduces the oxygen. More likely
poisoning would be generated by the decomposition of organic matter, a process that actually removes oxygen from the water.
fish deaths in Florida (USA)
I biologi della zona hanno dichiarato che la moria di pesci è stata causata dalla mancanza di ossigeno nell'acqua. I ricercatori escludono sia stata dovuta alla presenza di sostanze chimiche sparse nell'acqua e ai cambi repentini di temperature. Alcuni sostengono che certe specie di pesci si spostano in massa cercando zone d'acqua con elevate quantità d'ossigeno, e in rari casi, sbagliano luogo trovando al contrario zone carenti d'ossigeno, il chè spiegherebbe la numerosa moria.
Moria di uccelli in Nuova Zelanda
Centinaia di passeri cadono morti a Rotorua, in Nuova Zelanda, le cause sono ancora sospette. C'è chi pensa che la moria sia dovuta alla tempesta avuta nei giorni precedenti, or due to poisoning. Some locals have realized later that they were sparrows, because they initially were convinced that they were bats, given their strong presence in the area. Currently there are over 300 dead sparrows, in circumstances still unclear.
Colleferro: alarm mortality of calves, alerted the
Nas Is there poison in the land of Colleferro, 45 km from Rome. A Colleferro is warning about the pollution of the land is causing a massacre in the breeding of calves and lambs. Here, one or more substance, it would penetrate the contaminated soil so as to cause the slaughter of farm animals. Following the news and pictures reported by some newspapers of animals that "die in agony and foaming at the mouth", it is considered that there is a contamination of the territory that is leading to a serious situation for the animals, but also for the entire food chain, and potentially to humans. What was buried in the Valley of the bag for years?
exists in the area since 2005 a ban on slaughter and milk production, but also outside the boundaries imposed by the animals die of unexplained birth defects and cancer. Sometimes also seen in children. Raymond Fadden has buried more than 800 animals since 2005. All were born deformed, or foaming at the mouth, and died after less than a month of hardship. Two hundred of them died last year. His son, born in 2007, has a disability: "I look at my son and I see the same disease that now kills my animals." The relationship is everything to prove, but there is no doubt Raymond. Because he saw the "white matter" between the clods of the hill grazing his head: "When it snowed began to boil as it seemed she was frying." He is now in a hospital bed to treat a severe form of pneumonia. He tells his story from there, and speaks of illegal dumps in the hills around Colleferro. "They came at night with big trucks, at about 2:00 to 3:00 in the morning, unloaded everything and disappeared. In the morning there was only loose soil, but the carousel never ended. " Casertano example of industrial waste and the Neapolitan? Probably. Similar stories of the Sacco valley is full: Even the incinerator of the Valley of the Latins is suspected of burning all in the spreading toxic fumes and fine particles. But where does all this poison that contaminates the area? Among Colleferro and Frosinone, Latina on the road, there is a chemical and industrial centers of the largest in Italy. There is the Avio, industry specializing in the manufacture of rockets and missiles for use in space; is Simmel, former BDP, a manufacturer of weapons and ammunition, also tested to jump Quirra, the polygon Sardinian held responsible for half of the tumors dell’area. Oltre a decine di industrie, magazzini e stabilimenti chimici, che dagli anni ’60 ad oggi hanno scaricato scorie nel terreno e nell’acqua del fiume Sacco.L’agente chimico considerato responsabile del disastro eco-sanitario è impronunciabile: beta-esaclorocicloesano. Sostanza base del Lindano, pesticida largamente usato negli anni ’70 e ’80 e vietato, in quanto nocivo, nel 2001. Nel 2006 è stato dichiarato lo “stato di emergenza socio-economico-ambientale” per la Valle del Sacco, in seguito ad una interpellanza parlamentare: è tutt’ora attivo, ma la bonifica, ancora in corso, non dà i risultati sperati.
Sindaco e autorità sanitarie smentiscono All
"He invented everything that shepherd," thunders the first citizen of Colleferro Mario Caccamo, PDL: "I have never been contacted, I do not know anything about this history." Ensure that local health managers: "There were never recognized the exceptional cases of suspected disease or the presence of hazardous substances or particular, and has highlighted a not quite optimal management of the farm question." In short, the fault lies with the pastor not alarm the failure of which would be responsible for the ASL itself.
everyone protects his garden, but not the neighbor's field
And there is so careful that protects the teeth from slander. Lawyers City Council are considering whether to terminate the Rai - Monday night that he had appealed video Fadda prime time "for cause serious harm to the city with services aired without any contradiction, and therefore, according to the mayor," failing to make a just and proper public information ". Meanwhile, the toxins continue to flow into the bag, on its banks, fields, hills, grass pastures, in the air ...
10 major theories for birds and fish dead
Media Officers: Lightning, hail , in mid-air collisions, power lines and fireworks of New Year's Eve that caused trauma birds, disease or stress of cold water "instead for the fish. The thought of winged creatures caught by surprise, or having the "wrong" their flight model, it is very unlikely and in most of the tracks where they are roasted birds if they had been hit by lightning?
meteor showers: they may be indicative of a local shock wave.
New Madrid Fault: An earthquake can, according to data gathered on recent seismic activity along this fault line that runs along the middle section of the eastern United States. Add to this the disaster BP, which has scattered Corexit spots floating in the atmosphere to disperse the oil.
Experiments military government: A possible virus or the use of biological weapons on specific species. From an article by Paul Joseph Watson and Alex Jones The mortality of birds and fish is related to experiments conducted by the government, this hypothesis seems not only possible but would also have historical precedents in which the U.S. has already used chemical and biological weapons for deliberately infecting some enemy populations or sicken other unknown viruses released into the air, but now these tests exist. Other single episode sobering, is the way in which the dead birds were collected according to them "natural causes" in Arkansas (special suits, masks and equipment of all kinds). In addition, John Wheeler, high-level scientists, witnessed that the U.S. military used biochemical weapons to kill animals, this fact is now well aware of Russian Prime Minister Putin.
GMO bees and bats in sharp decline and the news that the multinational Monsanto has a home in Arkansas.
HAARP: Technology who studies through the ionosphere and the use of electromagnetic waves and resumed the search for the great Nikola Tesla, to generate possible climatic changes or natural disasters. The experiments made by HAARP is also associated with seismic events with global reach: December 26, 2002 Cyclone Zoe in Polynesia, 26 December 2003 earthquake in Iran, 26 December 2004 Indian Ocean tsunami. Not we go on if these numbers are the result of fantasy, conspiracy or just a coincidence, the fact is that playing with special forces of Nature, if it is not wanted, can be very dangerous. HAARP, born in 1992 but almost always ignored by the media, this time it was quoted by Corriere della Sera, as interesting hypotheses for these mysterious deaths of mass. Even if it has its headquarters in Gakona, Alaska, then to considerable distances by the strange phenomena have occurred, could still reach and influence the entire world, given that today there are several military installations scattered around the globe and with hidden antennas and large antennas, used to officially other purposes, but which can not be excluded, they can serve other purposes as well as a secret experiments.
Chemtrails: A system for spreading of pathogens, nano particles or toxic chemicals through use of aircraft in flight leading to loss of these offending substances leaving obvious traces of trails in the sky. To stay connected to our subject, reported the news of the strange death of a former military, which took place in January, which was about to blurt out the truth leaked compromising on military aircraft used in Iraq, which since 2003 transporting toxic substances and then "reworked" on the ground American base in the "Pine Bluff" in Arkansas. It seems that in a couple of occasions, Tankers of the U.S. Air Force (which issues the daily chemtrails) to Afghanistan, carrying a spray gun biochemistry (addressed to the people of Afghanistan by the use of nerve gas), have had problems and then the poison has been poured in the air and Arkansas River (hence the memory of 100,000 fish).
Weapons: Via satellite to create "natural disasters" tuned to specific frequencies.
Blue Beam: Project HAARP and as his counterpart, uses the natural energy present in the ionosphere as a visual and audible device.
Geomagnetic Changes: A series of tampering by man on Earth, magnetic storms or anomalies such as those of climate change the earth's crust and magnetic "or a magnetic north pole is migrating to Russia. In this regard, we cite an article in the Stampa.it The pole moves too quickly tilt in planes and birds on the closure of an airport runway in Tampa, Florida. Perhaps the memory of birds as important and worthy of attention, we must also recognize that a flock of birds that can no longer route for magnetic reasons, could also get every ounce of his own perhaps, but in this case the death of individual birds to be spread over a period of time much more extensive. In these episodes, however, the death of the flocks, or the cause that created it, it seems be concentrated in one place and at any given time. The manner of death of these birds then think more about the shapes of explosions in the air or of localized contamination. Therefore it would be interesting to investigate in the direction of the project or HAARP or the release of toxic substances by aircraft. But there should also be added to this theory that if blackbirds, doves and other birds, they use a particular meaning to move, if it were shown that the magnetic pole has moved 10 degrees in a short time, the birds are able feel the magnetism of "going crazy". Fracking: Several "Gas Companies" would be committed to a new process of hydraulic drilling called "fracking." In the United States are so polluted groundwater with chemicals, then saturating to get natural gas from the ground. Interestingly, the areas where this technique is applied, including the "Northern Italy", strangely coincide with the areas most affected by the die-offs in recent months and days.
Cloud: There are rumors that speak of an industry of chemical solvents, which was poured in water, a large quantity of chemical agents, poisonous and highly volatile. Once evaporated, having wiped out thousands of fish, it is fed into the atmosphere and is exterminating birds. It's like a toxic cloud that moves at high share across continents and released into the air or water, is capable of hitting an animal without a trace.
The purpose of this paper is to warn everyone, saying that these "theories" or "conspiracies" may or may not be guilty of these fish and bird die-offs around the globe, but you can not hide, however, who can see with your eyes, that the technology implemented and described here, are needed to spray poisons on earth, sky and sea or climate change, then this may be a fundamental part of a mechanism to offend the nature or cause, or intentionally no, slaughter of animals today and tomorrow people.
Source: http://freeondarevolution.blogspot.com/2011/02/le-morie-animali-continuano-nel.html
Short Leg After Hip Replacement
The King of Limbs
Morning Mr. Magpie
Little by little I would dance
Feral
Lotus flowers
Codex
Give Up The Ghost
Separator
It ends like this, without ever really woke up myself. Or maybe never asleep before.
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| (19/02/2010) |
It 'time to take stock, because further delay could distort everything.
Anyway, I'm not putting words help you find the best or most just, I'm not a music critic. I leave the job to the proper authorities, or who feel like it.
I would simply write down what I'm hearing (assuming the broadest sense of the word "feeling"), simply not to forget.
8 tracks. Finger on the play button. Via.
Bloom
I open my eyes.
I awake, I open my eyes only.
The pace is relentless, as though he could never die, as if he had never had a beginning. Like it's always been here to do sottosfondo, but never had ears to listen, to perceive meaning.
The slight anxiety of not understanding what's going to happen, and do not be afraid. The fears of what could be, e che invece è.
The slight anxiety of not understanding what's going to happen, and do not be afraid. The fears of what could be, e che invece è.
E ritrovarsi immersi in una cupa quanto frenetica sequenza in stop-motion, dove santoni di una qualche tribù africana danzano in cerchio attorno ad un fuoco minaccioso, urlando, alzando le ginocchia al petto, i pugni al cielo. La frenesia. Tu sei quel fuoco. Brucia!
Morning Mr. Magpie
Non c’è tempo per respirare, guarda.
Occhi che viaggiano avvolti dal traffico urbano, salgono rapidi su treni in corsa, navigano in mari di folle private di volti.
Eyes that look, they recognize that they discover. Eyes that stare, looking more than the shapeless mass of hedgehogs around them.
A child wearing a dress with horizontal stripes.
isosceles triangles of the roofs of the factories.
The truth will save us?
The perfection of the teeth of Berenice.
The needles of Gaudi.
Cliffs of Moher.
I want to scream to destroy your vocal cords.
I want to scream to destroy your vocal cords.
Little by little I would dance
wagging his head in a shop clocks. Gears in motion.
Feral
Hendoku iyaku. Oppholdsvaer. Othurna. Hygge. Uitwaaien. Lagom. Mandala. Kweesten. Yakamoz. Go-Honzon. Ilunga. Understatement. Aufhebung ... the strict metric of the words that encapsulate complex meanings are as beautiful as in so few letters, such as silkworms that encapsulate butterflies ... the meaning of these words, concepts, impossible to explain fully, pur utilizzando altre mille parole… l’impossibilità di esprimere pensieri in parole, in generale, ma tentare, tentare… parole serrate, come fossero ritmi.. ritmi serrati, come fossero parole.
Lotus flowers
Alza lentamente lo sguardo da terra, dove hai posato gli occhi ad osservare minacciosamente le ombre che si allungavano verso di te.
Alza lo sguardo lentamente. Ora guarda oltre, fuori.
"Ascolta il tuo cuore"...
Vorrei dipingere le ali del vento come quelle di una farfalla, ma non avrei colori suitable for transparencies and chills.
Alza lo sguardo lentamente. Ora guarda oltre, fuori.
"Ascolta il tuo cuore"...
Vorrei dipingere le ali del vento come quelle di una farfalla, ma non avrei colori suitable for transparencies and chills.
I would like to catch a ray of sunshine so I could warm your hands every time you make ice.
every time I wander that my soul wants to fly, to follow the freedom of the wind and let the rain fall down her face without opening the umbrella, to breathe the drops around me while under a sky dark, confused way singing my happiness.
Codex
A haiku. The sound of the sea in a shell. They open the gates, no one forces us more with clamps. Rid, free, free.
Let tap the pleasure to catch him without groped.
Let tap the pleasure to catch him without groped.
Give Up The Ghost
Pulsed organs. Life.
Separator
And finally here,
again on the road.
eyes smiling,
hands that greet
bodies waving.
hands that greet
bodies waving.
A rhythmic movement, sensual.
As a flock of birds in flight
spring in the air.
I never wanted to fly, but to become a bird.
The reality is like a dream so fragile
I'm afraid if I move too fast .
And like bubble
burst.
It ends like this, without ever really woke up myself. Or maybe never asleep before.
With that strange feeling that there is continuity between dreams and some day, quell'assurda and misleading perception that wraps you in cotton wool over people and things.
And that makes you feel suspended , pending, as in a limbo.
And that makes you feel suspended , pending, as in a limbo.
close my eyes.
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