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On March 4, kicks off in Capurso (BA ) "The writer played", a series of four events designed by Alceste Ayroldi

The Youth Politics, Culture and Sport and the Territorial Marketing of the City of Capurso (BA) in the person and the Councillor Michael Laricchia Marisabel Prigigallo, city councilors delegated the coordination of the Library "GD'Addosio" presents "The Writer played" exhibition curated and designed by Alceste Ayroldi (pictured), professor and music critic. A journey through the music at the hands of literature that examine four different segments: a classical, jazz, folk music and rock. The goal is to give full voice distributed to that aspect of literary works by writers from Puglia or otherwise published by publishing houses of Puglia. Three authors from Puglia and a couple of automotive journalists whose work is edito da una storica casa editrice barese. Il tutto “condito” da live set tematici e/o supporti audio/video che possano anche condurre verso una guida all’ascolto dei temi trattati negli scritti. Ecco, quindi, l’idea del nome della rassegna: Lo Scrittore Suonato, fors’anche per il fatto che chi scrive di musica sposi idee e ideali dei musicisti trattati, fino a far suonare il libro e si immedesimi nel loro iperuranio artistico.
Ogni incontro si terrà presso la Biblioteca Comunale “G.D’Addosio” di Capurso (Ba), che ha trovato nuova linfa vitale grazie al fervido operare della consigliera comunale Marisabel Prigigallo, unitamente all’Assessore al ramo Michele Laricchia. Tutti gli appuntamenti will begin at 19.00 and entrance is free to be subject to availability. The cycle of meetings will open Friday, March 4 with the music critic and blogger Alex Romanelli who will present his latest work published on the e-book "My ideal club" (Leggereleggere ed., Milan, 2010). A veritable anthology of critical cards on more than 100 interpretations of the most successful, compositions of classical music recorded on compact disc. The methodological approach chosen for this job not be fooled: This e-book absolutely does not want to be a systematic recordings of all (or almost) musical compositions existing main, but simply want to suggest to those who want the idea of \u200b\u200bcreating, through the purchase of recordings analyzed here, a considerable wealth of interpretations of great value and recognized. It wants to represent for those who approach for the first time in this fascinating world, a guide handy and easy to read in the vast and often very complex panorama of classical music. The author will make use of audio / video to be distributed and screened in room. The meeting will be moderated by the artistic coordinator of the event, Alceste Ayroldi. Friday, March 11th will be the turn of the Afro-American music "Jazz 101" (ed. Piccola Biblioteca Oscar Mondadori) Flavio Caprera, born in Polignano a Mare, but living in Milan, is a journalist, writer and music critic. He has worked with the magazine and works with the webzine Jazzit Jazzconvention. In 2006 he published Jazz music, always with the publishing house Mondadori. A survey done by an expert in jazz that collects the "captive", indicating for each a song has become a legend. The reviews of the records, all accompanied by the reproduction of the cover, and the author's introductions are also a sweeping history of jazz, ideal introduction to this fascinating world, full of curiosity and news for all fans. The historical survey will be completed with a live music set of the Mino Lacirignola Ensemble. Will moderate the meeting and introduce Fabrizio Versienti, journalist and music critic of the Corriere del Mezzogiorno and Jazz Music. The third meeting will be devoted to popular music, especially with regard to Taranta, "Neo-Taranto and the Salento Pinch. Friday, March 18 (also at 19) will be one of the leading experts phenomena of popular-music historian and musicologist Gino Leonardo Di Mitri who will explain the roots and evolution through the dense editorial production on the subjects of the publisher of Besa Nardo (The ), all with the help of audio / video material and photographs that will be screened during the evening. Gino Leonardo Di Mitri, writer, historian and researcher of the Institute "Diego Carpitella" è autore di numerosi libri e articoli scientifici sugli argomenti.

Sarà presente, inoltre, uno stand illustrativo della Besa editrice. Live set a cura del chitarrista Filippo Consalvo.

La rassegna si chiuderà con la narrazione di un evento che ha segnato la storia della musica e, in particolare, la storia del rock mondiale: la presentazione de “Il tempo di Woodstock” di Ernesto Assante e Gino Castaldo (ed. Laterza). "Un biglietto d'entrata nella memoria costa solo 13 dollari. Basta trovarsi nei pressi della cittadina di Bethel, un'ora di macchina a nord di New York, e sarete attirati da cartelli che indicano una direzione e un nome che dopo quarant'anni manda ancora inaspettate scariche elettriche: Woodstock. Anzi per l'esattezza: Woodstock Museum. Such a thing could only happen in America. Who else could come in mind to build a museum dedicated to a concert? A concert ... An object immaterial, intangible, existed only in the flow time-space of three days. How is this possible? And most importantly, what was really Woodstock? Certainly much more than just a music festival. Let's say a singular history, a monument built in real time to a revolution that was crumbling in the space of a dream, and therefore necessarily intellectual work, which would not have been any physical evidence, an idea, an idea. It was a singularity? That is an extreme event, in which the normal laws of space-time undergo change only? Or simply the climax, the inevitable climax of excitement generation lasted a few years? "The meeting will complete the live set performed by guitarist Phil Consalvo and a reading of literary works that cross the hippies by the Academy of Performing Arts Unika Bari